Quick Hits – Daring Mystery, Mystic Comics, The Irredeemable, The Mighty, and More

September 6, 2009 at 5:27 pm | In Comic Book Reviews, Quick Hits, Sam Christopher | Leave a Comment
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A much lighter week than last…

daring-mysteryFirst, there are two commemorative comics from Marvel this week. Daring Mystery Comics 7oth Anniversary Special #1 leads off with writer David Liss (first comics work for this author of six published novels), and artist Jason Armstrong (Doc Thunder, Legion of Superheroes) giving a modern take on The Phantom Reporter. In this story, PR is being interviewed by a modern-day reporter and relates his origin story in a tale that gives us all the two-fisted action of the best of the old pulps along with the three-dimensional storytelling of today. I can’t say enough how much I enjoyed this story; I will say that this is the best of any of the new stories we’ve seen from any of these commemoratives. Mr. Liss has a style that is perfect for this type of character, by which I mean any “mystery man”. I would love to see him on, say, The Question or The Spider. Perhaps even Batman or Daredevil would be a good match for Mr. Liss’ storytelling talents. And now that I’ve slobbered over the writer I think it only fair to point out that Armstrong’s art is perfect for this story. The frenetic, off-kilter style provides just the right touch for a tale of the dark streets of the ‘40s. The backup feature, “The Phantom Reporter”, by ROE and Sam Cooper is from Daring Mystery Comics #3 in April 1940.

Next, we have Mystic Comics 70th Anniversary Special #1, which stars Timely’s version of The Spectre, the Vision. The new story here is written and drawn by Dave Lapham (Stray Bullets, Giant-Size Wolverine) and is a very good Lovecraftian story. This ‘40s version of the Vision is an extradimensional alien drawn to our world by a scientist who creates a portal, a doorway between two worlds (which also makes him a version of J’onn J’onzz, too). The Vision was evidently known as “The Destroyer of Evil” in his home dimension and takes up that mantle here as well. In this story, the aforementioned scientist is forced to open the portal again and a hallucinogenic mist creeps out along with a nightmarish creature bent on destroying our world. I think you can guess what happens next, the broad strokes anyway. While this story is not as good as the Daring Mystery tale from the previous paragraph, it is still an excellent representation of its source material. Lapham does a very good job of capturing the spirit of the ‘40s storylines without being bound by them. The backups here are both titled “The Vision” with only Jack Kirby on the credits (listing all the creators of a story wasn’t industry standard at the time of first run), from Marvel Mystery Comics nos. 13 and 16, from Nov. ’40 and Feb. ’41.

Finally! Finally, we see something get under Plutonian’s skin in Irredeemable #6. The beginning of this ish is interesting, in that it’s showing what appears to be a memory from Tony’s childhood, the end is interesting in that someone is showing him his past. And Charybdis appears to have struck a nerve. Especially given what the other “Superfriends” find in Tony’s “Fortress of Solitude”. I know I beat you over the head with this title every month but I just can’t say enough about the work that Mark Waid (Flash, 52) and Peter Krause (Power of Shazam, Grimjack) are doing here. I still think a being with Plutonian’s power is just playing cat and mouse with the heroes nut the series is so well thought out, so well written, that I don’t mind being strung along here. On the contrary, I can’t wait to see what these two have dreamt up for us next.

And in DC’s great good guy turned bad saga, Gabe takes Janet’s death (if that’s really what it was) very hard in The Mighty #8, even openly defying Alpha One. Or at least that’s what he wants Alpha to think is going on. Along the way here we find that Alpha’s origin story is just that—a story cooked up by the US Govt. to explain this “Superman” in our midst (in a cool touch, Alpha even tells Gabriel that he thought of coming out into the open after seeing a Superman comic in 1938). While there’s still something going on behind the scenes, I have to say that Alpha sure seems to be on the up and up. I’m starting to wonder if it’s not all these other people who are wrong, or—and this might be better—maybe there’s another Alpha. I know evil twins are a hackneyed plot device but on a world with only one superhero it’s as good as giving him a split personality. Still an interesting story being told by Peter J. Tomasi (Green Lantern Corps, Black Lanterns: Tales of the Corps) and Keith Champagne with that wonderful Chris Samnee (Black Lanterns: Tales of the Corps) artwork.

Then we have Justice League: Cry for Justice #3. Sorry, I know they’re trying mightily to make Prometheus into some fantastically powerful and ruthless villain but, no matter what they say or do, this clown will always feel like a revamp to me. In other words, this guy may turn out to be a great villain but that doesn’t make me think he’s not a dweeb here. More, I see no way a guy whose main power is that he can surf the internet at will can stand toe to toe with any of these heroes. He might last a couple minutes with GA or Atom, maybe catch GL off-guard and gain the upper hand for a minute or two, but Supergirl, Captain Marvel, Congorilla, or Starman just splatter in, like, milliseconds. I can only think of James Robinson’s (Starman, Action Comics) writing as very average here. From his awful scripting of Green Arrow—who goes from a stupid and tasteless sexual innuendo aimed at GL because Hal questioned Supergirl’s motives to talking to the Maid of Steel like she was a four-year-old in one panel—to his mishandling of the interrogation scene—I mean, anyone could see what was coming there after a couple panels—this just wasn’t his finest moment. I did love his categorizing of the Global Guardians as the bumbling jokes they are. The saddest part of this shoddy storytelling is that the great artwork of Mauro Cascioli (Trials of Shazam) is buried here. I do fully expect Robinson to do better, though; he’s just too good a writer not to.

And, finally we have Dynamite’s Thulsa Doom #1. This first installment of the greatest enemy of basically every Robert E. Howard creation at this point was all right. I think of it as nothing special, probably because I just don’t care much for what’s been done with the character since he co-opted and changed from the skull-faced necromancer that did battle with Kull the Conqueror to the Cult of the Snake archenemy of Conan the Barbarian for the film of the same name (probably because some stupid Hollywood exec couldn’t pronounce “Thoth-Amon”). If Arvid Nelson (Kull, X-Men Unlimited) wasn’t writing this I probably would have passed on it. Nelson is a great writer for Howard’s creations in comics right now, with a voice that is just the right pitch for these characters. Not to mention Lui Antonio’s (Terminator: Revolution) perfect art for this story.

Other comics:

Batman #690- Dick fights Clayface and his new partner Lyle the Super-Soldier, Pengy’s story takes a turn, and Two-face gets into the Batcave—wearing a very odd costume.

Buffy the Vampire Slayer #28- Great Andrew issue with the dork following everyone around with a video-camera. Faith and Buff have a nice scene (Buffy looking especially cool in her “The Count” t-shirt) and Buffy and Xander have a nice scene—until the end.

Final Crisis Aftermath: Run #5- Yeah, yeah, yeah—still can’t see this clown being alive, much less ducking the JLA despite John Stewart’s attempt at explanation. Still, it is a damned entertaining story.

Magog #1- Not all that thrilled with this character in the first place and this did nothing to change my mind.

North 40 #3- Another terrific effort from Aaron Williams (Backward Compatible, Nodwick) and Fiona Staples (Done to Death, The Secret History of the Authority: Hawksmoor). What makes a party better? Zombies!

Supergirl Annual #1- Two very average stories. Remember the big deal that was made of Lucy Lane being killed as Superwoman? Forget it, she’s still alive.

Sweet Tooth #1- This story, written and drawn by Jeff Lemire (Lost Dogs, The Nobody), just isn’t something I care for. It may garner fans, I just won’t be one of them.

Teen Titans #74- Another Titan dies and we have yet another “new beginning” for the group. Also Ravager runs from guys in the snow.

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August 31st – The Spider #1, Fantastic Four #570, Incredible Hercules #133, Batman and Robin #3, and More


Jack Kirby's Fourth World Omnibus, Vol. 1The Jack Kirby Store: Offering a comprehensive selection of compilations of The King’s work available on Amazon.com including the Fourth World, Fantastic Four, Kamandi, Thor, Captain America, The Eternals, and many more.

Quick Hits – The Spider #1, Fantastic Four #570, Incredible Hercules #133, Batman and Robin #3, and More

August 31, 2009 at 7:09 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 5 Comments
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By Sam Christopher

This was a HUGE week for comics for me.

SpiderJudgementKnightI’ll begin with the coolest cover of the bunch, as Moonstone’s revival of true pulp fiction continues with The Spider: Judgement Knight #1. “Blood of the Innocent”, a prose story by C.J. Henderson (Penthouse Comix, Moonstone Monsters Volume One) written around fantastic art by J. Anthony Kosar shows Richard Wentworth as The Spider, scourge of New York’s underworld as well as “Master of Men” (and an inspiration, if only for the name, for Stan Lee’s creation of Spiderman), in an adventure that threatens the woman he loves. A madman known only as “The Professor” (and, no, it’s not the friendly guy who made all manner of cool things out of coconuts for the castaways) has made a name for himself in the underworld of NY. The Spider has come to look upon this man as his equal and opposite; both men seem to be brilliant strategists who will do anything, dare anything to attain their ends. The Spider learns that The Professor’s main plan is going to come to fruition tomorrow and where the bad guy’s hideout is. Our hero realizes this is a trap, but given the master plan and what it could mean for not only New York but the entire world he feels he must attack immediately. Little does The Spider know the secret trap The Professor has in store for him. A great story about a great character, even if Wentworth and lady love Nita van Sloan are pretty much just Lamont Cranston and Margo Lane. There’s also a more typical comics story backing up the main feature here. “The Crossroads of Solomon Strang” stars a pulp character named Ghost Zero, who I admit I’ve never heard of. Written and drawn by Dave Flora, this is an okay story that’s really too short to get a handle on the main character. Excellent stuff all the way around.

Next, since I don’t give much love to Marvel we’ll go into two titles that made it out this week. Fantastic Four #570 brings us a new creative team and a new direction (unless you read Alan Moore’s Supreme, or his Captain Britain). Jonathan Hickman (Red Mass for Mars, Dark Reign: Fantastic Four) and Dale Eaglesham (Justice Society of America: Kingdom Come Special, Countdown: Arena) take over the title and begin by giving us more of what we’ve had: Johnny needling Ben, Reed and Sue being domestic and detached, Reed retreating to alternate realities in an attempt to solve all the problems of the world. In this story, this quest of Reed’s leads him to “The Council of Interdimensional Reeds”, which would have been more interesting for me if it had also contained Victor von Doom’s and Bentley Wittman’s—The Wizard, whose latest scheme has led to this ish’s action—as well as Reed doppelgangers from across the multiverse. Apparently, these guys save Earths everywhere from all manner of destruction (having them save Earth-2012 while “our” Reed is standing there was a nice touch—maybe that Galactus was going to eat the Mayan Calendar). Anyway, it’s not that it’s all that bad; I’m just never too sanguine about too much cosmic scope in these things. I would have thought the disaster that was “Doom’s Master” would serve as warning to all.

And, in Incredible Hercules #133, they keep us in suspense as to the travails of Herc and Zeus in order to apprise us as to the status of one Amadeus Cho. Seems AC had lost trust in Athena and the other Olympians but not in the Prince of Power himself. Finding out the circumstances of his parents’ deaths is just something Cho feels he must do alone. Along the way here we get a healthy dose of backstory—which helped me out since I didn’t read any of the “Planet Hulk” storyline (see my review of Skaar: Son of the Hulk for more on that)—for Cho as he takes the bus to his hometown of Excello, Utah, and walks right into—sorry, it’s not gonna be that easy… read it. Another issue, another winner from the talented writing team (and they must be talented as it surely never occurred to me that anyone could make Marvel’s version of Hercules interesting enough to carry an ongoing title) of Fred Van Lente (Action Philosophers, Amazing Fantasy) and Greg Pak (War Machine, Warlock), with some outstanding Rodney Buchemi (Marvel Adventures: Avengers, Incredible Hulk) art.

In our “World’s Finest” section:

In Batman and Robin #3, we find that Dick’s methods of interrogation appear to irritate Commissioner Gordon; of course, what Dick does here seems rather Batman-like to me. Maybe Gordon’s still a little on edge from Damian’s interrogation methods (baseball bats and metal buckets). And speaking of Robin, he awakes in Pyg’s HQ (the Pyg Sty?) only to find himself about to be added to the ranks of Pyg’s surgically-enhanced followers. The girl we met at the end of the first ish, Sasha, returns here and looks to be lining up for duty as someone else’s “Robin”. Looks good. “Very, very good,” as Wooderson would say (sorry, just watched Dazed and Confused again). Grant Morrison (The Invisibles, Vampirella) and Frank Quitely (Bite Club, We3) just keep this title rolling along as the best Batman-centric Batman: Reborn title, it’s strongest competition among all the B: R titles being Gotham City Sirens, which followed up a stellar first ish with a rather ordinary second.

And then there’s Gotham City Sirens #3, which brings the whimsy back—and that’s saying a lot for a story about a serial killer—while the Sirens themselves take the issue off. Harley, of course, was kidnapped by Hush at the end of #2, and Catwoman and Poison Ivy spent a couple panels this ish talking with Ed Nigma, former Riddler, to establish they were looking for Quinn before leaving the story to the reformed Nigma and Batman as the two men use similar methods to track the same murderer. Another excellent chapter in the Batman: Reborn saga, with writer Scott Lobdell (Buffy the Vampire Slayer, Nick Fury: Agent of Shield) doing a marvelous job with the very eccentric Nigma and Guillem March (Oracle: The Cure, Power Girl) handling the artwork in fine fashion.

Thirdly in our Dark Knight portion of this “team-up” we have Detective Comics #856, where Kate’s story gets into high gear as the hybrid “true believers” help Batwoman’s father save her from Alice and reveal the new Queen of Crime’s ultimate plan to Kate. On a more elegant note, Kate’s father talks her into attending the GCPD Annual Charity Ball—he thought she could use a night off from crimefighting. Kate embarrasses her step-mother, ignores her cousin, dances with Maggie Sawyer (transferred from Supes to Bats, was head of SCU in Metropolis and now heads Major Crimes in Gotham City—she’s Chief Brenda Lee Johnson from The Closer on a different coast), and gets very scared by the end of the story—with good reason. Another gem from Greg Rucka (52, Elektra) and J. H. Williams III (Promethea, Inhumans). The Question Second Feature is not as good. Not awful, just don’t understand the rationale. A guy is ordered to kill her and he’s going to make no pretense that it’s an accident. He injects her with a knockout drug, ties her up, and puts her in the trunk of a car he then pushes into (probably) the bay. Why not just give her an immediately fatal dosage? Anyway, Rucka’s overall story is all right—just nothing great—and Cully Hamner’s (Blue Beetle, Red) art is good, too.

And our final Batman title is the out-of-continuity toon-inspired Batman: The Brave and the Bold #8, which continued the Global Guardian theme and took the Dark Knight to Tibet to track down the Yeti. Meh. Kind of a lame story with a few good moments and a fairly heavy-handed ending.

Okay, okay, Superman #691 is bringing us closer to my total loss of patience with this storyline. I can accept that a lot of people will buy into Supergirl attacking Mon-El in order to further the aims of New Krypton—of course, that’s without my questioning why over one hundred thousand “Supermen” need to resort to the subterfuge of destroying Metropolis’ water supply, or why they would do so pretty much completely in the open, or what’s the point in destroying that water supply in the first place. I can even—maybe—accept the world thinking a Kryptonian rogue like Ral-Dar attempting to assassinate the US President. What I find impossible to believe is the world’s populace believing that Superman, who has saved the planet on countless occasions, was aiding in any assassination attempt of anyone. And that’s without seeing anything. But there have to be cameras on-site not controlled by the military, cameras that would have shown Superman stopping Ral-Dar not helping him. And microphones, mics that could have picked up the conversation between Superman and Gen. Lane. But even without any of that, I just don’t believe anyone on this planet would take the word of a general involved in secret government black ops programs over the single greatest hero the Earth has ever known. The general and his cohorts, like Morgan Edge, just don’t have the credibility to stand against Supes. Especially after Mon-El, who despite all reports is not dead, comes to tell the truth about what happened in the sewer. Gen. Lane is beginning to look more and more like DC’s answer to Norman Osborne. And that is not a good thing.

And there was also the Superman’s Pal, Jimmy Olsen Special #2, which followed our intrepid reporter as he tried to find out more about Project 7734 (get it? upside down and backwards?) and does learn a lot from a very unlikely source. Two unlikely sources, actually. Unfortunately, this didn’t help my impression of this storyline. A pretty good story until put into context with the rest of this increasingly unruly mess. And when you see the ending, the first thing you’ll think is, “okay, why didn’t this happen earlier in the story, at the guy’s house?” because that’s precisely where it should have happened.

Moving on to other members of the Justice League, first we finally have Flash: Rebirth #4, and in this ish Eobard explains it all. Seems there’s a negative side to the Speed Force, and Eobard Thawne, the Reverse Flash, actually creates it and causes it to spread by running. Also, according to Thawne as well as all the evidence the talented team of Geoff Johns (Green Lantern, Adventure Comics) and Ethan van Sciver (Impulse, Claw the Unconquered) show us here, unlike all the other speedsters in the DCU Barry Allen doesn’t tap into the “positive” Speed Force, he creates it. I don’t think I buy any of that. It’s a good story but makes no sense given all we’ve seen in the past. I do like this tale, and this issue does give us the return of a certain mentor of Bart Allen’s (and not with a Black Ring on), but I just don’t think this whole system of Barry making Speed Force while Eobard Thawne makes “Reverse Speed Force”, and whoever runs the longest wins, can hold out against other writers’ takes on this thing. But, then, I didn’t think all that Parallax nonsense in GL would last and look where we are.

And speaking of the Green Lantern, GL #45 answers the question of where that humongous, planet-sized Black Ring was headed—and the answer’s not to John Stewart’s liking. Meanwhile, on Zamaron, the Star Sapphires are battling with Sinestro’s half of the Sinestro Corps—Mongul controls the other half—hoping to remove the GLC’s greatest enemy by introducing Love to the Soldiers of Fear. Here we find that Carol Ferris is seen as a great leader for the Sapphires by the Zamarons because she won’t allow the ring to guide her. Meanwhile, on Odym, the Blue Lanterns battle to defend themselves and their Power Battery from the orange gang of thieves sent by Larfleeze while Black Rings hover around the planet waiting for someone to die. Meanwhile, on Okaara—and I know there are a lot of “meanwhiles” here but this ish was entirely vignettes and I’ve actually spared you a couple—the Black Rings infiltrate. And you do know the entire “Orange Lantern Corps” is made of constructs of beings Larfleeze has murdered and collected in his lair. Redrum.

Finally, and since we’ve brooched the comics event of the steaming Summer about to fade into the glorious Autumn, we have Blackest Night: Titans #1. No team in the DCU has been hit as hard by death as the Teen Titans, even with the returns of Superboy and Impulse (both of which puzzle me; with all this going on I’m wondering if the “returned” heroes might not end up as some sort of bridge between the living and the dead). This issue shows the return of Tara (which you’ll get from the cover) and of Hank Hall, the original Hawk who died rather than become Monarch (for those who didn’t read the “Armageddon: 2001” annual series), as automatons of the Black Rings. The Rings also try and raise Don Hall, the original Dove, but he is said to be “at peace” and either wouldn’t or couldn’t be raised (which gives me another thought: I wonder if those who are “at peace” may not eventually rise anyway to help their friends against the Black Lanterns). And the ending of this ish is… WOW! And it could stand. A good opener by J. T. Krul (Soulfire, Titans) and Ed Benes (Gen13, Birds of Prey).

Other comics:

Buck Rogers #3- Buck and Wilma get closer in the future, even as his funeral takes place in the present.

Final Crisis Aftermath: Ink #4- mark makes a pact with Samurai as Liberty Hill burns. And we find out the cause of all this. Maybe. There are still two issues left.

Justice Society of America #30- The team recovers enough to capture a few of the villains—with the help of the big stuffed “watchbear” Jay Garrick borrows from Fred Sanford’s window—and return to the Brownstone to find Mr. Terrific near death. The seeds of Magog leaving to go into his own solo series are further sown here as well.

The Last Days of Animal Man #4- Prizmatik and Bloodrage attack the league of Titans tower and do something at the end I find unfathomable. Buddy, meanwhile, takes a beating but keeps retreating, saving Starfire in the process from not only the aforementioned villains but also that old man who was making a pass at her—oh, wait, that was him. And then he takes her to the last place you’d expect but also the most logical place he could.

Red Sonja #47- As we continue the slow march to #50, Sonja decides to aid some slaves she finds on the trek north to the Blood Dynasty. She finds her sister, who betrayed the family to Lucan Martur and then was sold into slavery (along with her and Martur’s baby daughter), and, well… let’s just say that understanding isn’t one of Sonja’s strong suits.

Sherlock Holmes #4- Continuing this great mystery with a mysterious stranger, a found letter, and the recapture of the world’s greatest detective.

Son of Hulk #14- Dunno. I liked this new direction at first, and it is still interesting, but I’m not as sure of it anymore.

The Unknown #4- This mini winds up with an interesting non-answer to the current mystery and an interesting prologue to the next.

Wonder Woman #35- WW and Black Canary finish up in Tokyo but not before Diana is forced to make amends to one she (sort of) wronged. And the ending was a real, real shock.

Previous Column:

Aug 23 – Viking, Batgirl, Batman: Streets of Gotham, and More


Jack Kirby's Fourth World Omnibus, Vol. 1The Jack Kirby Store: Offering a comprehensive selection of compilations of The King’s work available on Amazon.com including the Fourth World, Fantastic Four, Kamandi, Thor, Captain America, The Eternals, and many more.

Quick Hits – Viking, Batgirl, Batman: Streets of Gotham, and More

August 23, 2009 at 7:10 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 Comment
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By Sam Christopher

Comics Mini-Review: Viking #1-3

Rating: 3 ½ out of 5 Stars

viking_1This is the story of Egil and Finn, two thieves who happen to be brothers, intertwined with the story of Aki and Gylfi, the Tax Collector to King Bram and his assistant (or supervisor if you ask the king). The king’s daughter, Annikki, looks to be the catalyst for drawing the two stories together. We meet Egil and Finn as they are “plying their trade” and see that they are ruthless killers when crossed—and even when not, really. Their grandfather, we learn, believes Egil to be the worst of the worst, the old man at one point telling Egil, “If I had known what you would be… I would have killed your father in the moment of his birth”. The two brothers seem to be based on Seth and Richie Grecko, the George Clooney/Quentin Tarantino duo in From Dusk til Dawn. King Bram the Quiet lives in a place he doesn’t care for with the memory of a dead wife and the little girl who reminds him. He knows how to be a king, knows how to rule others, how to command their respect. At one point he tells his bumbling, fumbling, stumbling Tax Collector, “Be a man, Aki. Not what you think I want a man to be”. Gylfi is a good friend to Aki, attempting to cover up his incompetence and even warning him of the king’s intent when appropriate. These two are kind of like Hong Kong Phooey and Spot the Cat in Hong Kong Phooey. This is a cool setup and a very good series thus far. Ivan Brandon (Final Crisis Aftermath: Escape, Grounded) has captured the Northern voice, and Nic Klein’s (New Warriors, Olympus) art is perfect for this series (which just goes to show what I always say about art fitting a story, considering how much I hated his work on Olympus). My only complaint with the series thus far is them printing it Golden Age Size.

Short week for comics—for me anyway…

batgirl_1Batgirl #1 hit the streets this past Wednesday and it’s not who I thought it would be. After the events of Battle for the Cowl: Oracle: The Cure, I thought the new Batgirl—as DC had already announced the title– would be the old Batgirl, with Barbara Gordon using the piece of the Anti-Life Equation Calculator had worked out in order to cure her own paralysis. (Yes, I know they said it didn’t work but in comics these things only don’t work until a writer needs them to work for whatever he’s planning to do with the character). Here, though, we see Babs still in the wheelchair, but her anger and seeming absolute belief her paralysis will never change may be a hint that it will. For right now, and into the foreseeable future, I guess, we have the erstwhile Spoiler as Batgirl and Steph is doing her usual half-competent job. In all fairness to her, though, she kind of has all the problems of the ‘70s Spiderman with none of the powers. Or the fan base. But, with Dick, Damian, and Barbara looking over her shoulder, and with meaningful appearances and threads headed by Commissioner Gordon, Leslie Thompkins, and Gotham PD’s newest transfer-in Detective Gage, this book shapes up as a Batman Family, Birds of Prey-tinged fun-fest. No word yet on when the whole Tim Drake soap opera with Stephanie will resume. “Batgirl Rising” Part One is a product of Bryan Q. Miller (Teen Titans) with excellent artwork by Lee Garbett (Outsiders, Midnighter).

And then there’s Batman: Streets of Gotham #3, where Hush—Thomas Elliott, who has been surgically altered to be Bruce Wayne’s look-alike—has apparently come up with the perfect plan. He’ll pretend to be the missing socialite (no one knows that BW is dead, because the Bat-Family realizes the writers will eventually bring him back to life so they don’t want everyone to know Bats and Bruce are one and the same), give away billions of dollars to “stimulate” the economy of Gotham while siphoning off millions here and there in order to fund whatever nefarious scheme he has lurking in the dark recesses of that brilliant but twisted brain of his, and Dick and Damian can’t expose him without embarrassing questions about their own private lives being asked. Of course, Dick proves why he’s the Batman by coming up with a solution to this problem which is a doozy, although Damian’s far simpler solution of just killing Elliott would have probably worked better. And the subplot of Penguin, Black Mask and Victor Zsasz takes a new direction. All this from the talented duo of Paul Dini (Madame Mirage, Gotham City Sirens) and Dustin Nguyen (Batman, Jet). The Manhunter Second Feature chap was halfway decent, with Marc Andreyko’s (Manhunter, Black Sun) story continuing to be very good but Georges Jeanty’s (Buffy the Vampire Slayer, Weapon X) art really falling down (there are two inkers, so maybe that had something to do with it). Spotty, I think, is the right word. There are pages where the art is what we’ve come to expect from the talented Jeanty… and then there’s Huntress. Also in this ish, there’s a preview of the Superman: Secret Origins mini. I still like Clark’s Harry Potter look but I’m not as thrilled with Lex Luthor’s Professor Moriarty impression. And, uh, Lana being sucked up into a tornado and Clark flying, probably for the first time, under the stress of trying to save her is a really innovative touch. Or at least it was eight years ago when they did it at the end of the first season of Smallville. I didn’t think very much of Birthright and this doesn’t look much better.

Other comics:

blackest_night_superman_1Blackest Night: Superman #1- Have to give it to the Big Red “S”: he saw it right off, realized it immediately. A couple more “DC Zombies” rise in this one. I am wondering where the most obvious one for this title is, though.

The Brave and the Bold #26- Spectre and Xombi. Meh.

Justice League of America #36- Okay, so maybe they’ve come up with a way to make the Royal Flush Gang a little tougher. I still have a hard time believing any of the RFG teams—or even all of them together at the same time—could take out Wonder Woman, much less the whole JLA.

The Mighty Avengers #28- Not thrilled with the whole “The Unspoken” storyline, and I’m becoming less and less “enchanted” with Loki being disguised as The Scarlet Witch, although the silencer spell that hearkened back to Strange Tales #115’s Origin of Dr. Strange was cool.

Power Girl #4- Dunno. I really like this character and this was all right as a transition issue but the book kinda feels like it’s already running out of steam. Could be wrong. Hopefully.

Star Trek: Spock: Reflections
#1- Not great but soooooooooooo much better than “Nero”.

Supergirl
#44- Not, uh, not that great. I was really looking forward to this whole storyline when it started. Now, not so much.

Superman Annual #14- Very good history for Daxam in general and Mon-El in particular. A couple things were kind of lame, and I am wondering why the original Daxamite that came here didn’t get the lead poisoning but all in all a fun story.

Vigilante
#9- Vig takes down Tobias Whale and heads off to Gotham, which means the Penguin will be in Vig’s sights next. And I have no doubt that we’ll get to see a few Bat-folk along the way, too.

Previous Column:

August 15th – Star Trek: Nero #1, Action #880, Adventure #1, and More


Jack Kirby's Fourth World Omnibus, Vol. 1The Jack Kirby Store: Offering a comprehensive selection of compilations of The King’s work available on Amazon.com including the Fourth World, Fantastic Four, Kamandi, Thor, Captain America, The Eternals, and many more.

Quick Hits – Star Trek: Nero #1, Action #880, Adventure #1, and More

August 15, 2009 at 6:56 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 3 Comments
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By Sam Christopher

star-trek-nero-1Star Trek: Nero #1 came out this week and I… well. “From the same creative team that brought you Star Trek: Countdown” screams the cover and inside we find the same inane mess that series was. I, like a lot of Trekkies, bought the entire Countdown series and I’m sure that, after the release of the film, the trade paperback sold very well, too. But the series was still a poorly written, ridiculous mess. The fans I know read Ambassador Spock’s opening line to the Romulan Senate and just roll their eyes. That line from a diplomat is just too ridiculous to be believable. And the first ish of this new series starts us out on nearly equal footing, when Ayel tells Nero the USS Kelvin “engaged the warp drive at the point of impact”. I saw the film three times. George Kirk was on the bridge and everyone else alive was in an escape pod. So now they’re asking us to believe that Kirk repaired the warp drive… from the bridge… while talking to his wife and newborn son?!? I don’t mind someone trying something creative that just doesn’t work out (the film Tank Girl is a good example of that, although it does retain a cultish charm) but I don’t appreciate at all having my intelligence insulted time and again. Oh, and having the Klingons show up and drag everyone on the Narada off to Rura Penthe didn’t impress me, either; a life sentence there might be more terrifying if they’d take down those revolving doors and put up some bars (I mean, really, have we ever seen anyone be sent there who didn’t escape in, like, twenty minutes?). And while I can see how this might tie into the Narada being in a firefight with Klingons just before the Federation armada was dispatched to Vulcan in the film, I see no way the Klingons having access to the Narada for any length of time doesn’t give them the advanced weaponry necessary to conquer the entire Alpha Quadrant in the time period set forth here and in the film. I also don’t think Kor should look like that in the time period shown; I thought he should look like the TOS version of Klingons in this time. The simple fact is that, as thrilled as I was with the new film, and despite the fact that I basically liked it, I find myself more and more disenchanted with the direction of the whole thing. I’ve read over and over about the knowledge of and respect for Trek this writing team is supposed to have and yet I can’t find any of it in their work. From the “Romulans are closely related to Vulcans” thing in the film to the “Friends, Romulans…” Spock speech and even to the fact that the Romulan “Nero” speaks and acts like a very two-dimensional cartoon villain written as human most of the time, I see far too much Star Wars in my Star Trek of late. If you’re a fan of SW (I’m not) that’s fine, if you’re a fan of both franchises (as many of my friends are) that’s fine, but the two are entirely separate and disparate universes and should be treated as such.

And, since I’m in the complaining mood (not really but the books this week tend to make me pessimistic), let’s continue with Action Comics #880. Hate to say this but I really don’t think the writers have an endgame in mind for this current “New Krypton” storyline, and we all know how well that bodes—ask anyone who watches, or watched, Lost. Back in the ‘90s all the Superman writers, artists and editorial staff would get together and come up with an overarching storyline that would carry all the “S” titles through the next year or so, and I don’t know for sure but I’d think they always had an end in mind (beyond the obvious, “Superman wins”). I could be wrong about this, of course, and I like some of the elements of the story so far, but it seems we’re on a treadmill. An endless, meandering, sometimes interesting treadmill. It could just be the story’s in a “lull” phase, though, and everything will work out fine. Another prob for me, though, is General Lane, who is seeming more and more like Norman Osborne to me, and anyone who reads this column knows how much I loooooove Norm. Oh, and the Captain Atom second feature is still too new to tell about really, although it does look interesting.

And staying in the realm of the Kryptonians—well, partially Kryptonian, anyway—we come to Adventure Comics #1. After the events of Final Crisis: Legion of Three Worlds, Connor Kent is back among the living and staying on the farm with Ma Kent in Smallville. He plays fetch with Krypto, enrolled in Smallville High, destroys his own memorial statue (and may have destroyed Impulse’s, too, they didn’t make that clear—but Bart wanted him to), and saves a cute blonde girl from drowning. Well, okay, so Krypto really saved her. But Superboy was there to… um… supervise. We also get the obligatory “mysterious villain” bit before the story wraps up with two Supers—man and boy—talking things over in Lex Luthor’s old house before it’s revealed that… but that would be telling. The story was fine—Geoff Johns (JSA, Green Lantern) will do that for you—and the art was all right—Francis Manapul (Iron and the Maiden, Red Robin)—but the visit to Lex’s house only served to remind me of the one thing about this incarnation of Superboy I’ve hated since they introduced it. It’s bad enough he’s a clone but to have him be a gene splice of Superman and Lex Luthor? I’ve always thought that was stupid, maybe not “Ben Reilly is the real one” stupid but pretty stupid. The LSH backup story, also written by Johns, this time supported by Clayton Henry (Fantastic Five, Agents of Atlas) art, was all right. Have to say, though, that the “Starman from the future is losing his mind” thing is wearing thinner and thinner all the time.

One last thing on the Super side. DC is coming out with a Superman: Secret Origin title, which will evidently chronicle the early years of the Man of Steel again. There was a preview of it in some title this week but I just flipped through it. Just wanted to give the heads up to all the Harry Potter fans, because young Clark Kent in this series looks exactly like a comic book version of HP (which makes me wonder why there hasn’t been a licensed Harry Potter comic, now that I think of it). Just thought it was interesting.

The Blackest Night event brought us three titles this week, starting with Blackest Night #2, in which the story of “DC Zombies” continues as Flash and GL work out a way to slow J’onn down. And that’s after an ominous opening in which Ray Palmer talks with Carter Hall over the phone. Meanwhile, Mera and Garth go to Aquaman’s grave only to find… well, I think that’s pretty obvious, don’t you? Not sure what’s happening with the Spectre but I am wondering what happens with Boston Brand’s corpse. The body comes back but we see Deadman. Just not sure if the black ring draws the spirit back into the body (read more about this in the next paragraph, under Blackest Night: Batman). One thing’s sure: there has to be a controlling intelligence outside the resurrected themselves. It’s what I think, anyway. Another great installment from the busy busy busy Geoff Johns, with fantastic “dark art” supplied by Ivan Reis (Ghost, Rann-Thanagar War).

Funny we should mention Deadman above, as he figures prominently in Blackest Night: Batman #1. Here we find out from Peter J. Tomasi (The Mighty, Hitman) and Ardian Syaf (CE Murphy’s Take a Chance, DC Challenge) exactly what’s going on with the kooky spook. Seems the Black Lantern ring resurrected Boston Brand’s body but couldn’t assimilate—or apparently even take notice of—the Deadman spirit. But DM does glean the plans of the Black Lanterns and sets off to find someone he knows, someone he can trust. And who does Deadman know better or trust more than Batman? Or, at least, that’s what he thinks until he gets there and finds that Bruce Wayne is no longer Batman. He does give Dick and Damian a heads up, though, just in time for the black rings to find the remains of the Flying Graysons and Jack and Janet Drake. And the last panel, the last page, is a chilling scene of portent, much more frightening than any zombie banquet scene could have been.

And in the Blackest Night crossover Green Lantern Corps #39 Kyle and Guy have a nice, pleasant heart-to-heart talk on their way back to Oa. Well, Guy munches donuts while Kyle whines about his love life, mostly about his dead gf, Jade (uh-oh, maybe a little foreshadowing?). Then they run into some other GLs also headed for Oa and form a Convoy (Guy, of course, is Rubber Duck). Oh, and then they’re run off the “road” by a herd of black rings all headed for Oa. Meanwhile, Arisia learns that power doesn’t change Daxamites and Mongul sets up housekeeping on Korugar. And, remember what I said about Jade? The black rings make it to the GL Memorial on OA, so you should be able to guess how this installment ends. Tomasi’s words mesh well with competent art by Patrick Gleason (Aquaman, H-E-R-O).

In Booster Gold #23 we have the third part of the current story. The Teen Titans, and more importantly Robin, have been killed so there will be no new Bats when Bruce dies (not that I believe there would be no new Batman; remember Battle for the Cowl? It would have made more sense here if the timeline was screwed up because someone like Jason Todd had become the new Caped Crusader). All of this means the JLA can’t defeat Trigon later. How having virtually everyone on Earth slaughtered fits into the Black Beetle’s plan is anyone’s guess (unless he’s actually some kind of stooge for whatever’s behind Blackest Night) but I guess we’ll see. This title still feels like a great idea they’ve lost the handle on. All the time travel and back and forth sounds like fun and can be cool in spurts but having virtually every story never having happened by the end can be wearing. And the lame Blue Beetle Second Feature isn’t helping.

And for our Main Marvel Mention of the week: Incredible Hercules #132. Signaling a change in the status quo, Zeus has now been altered in a most fundamental fashion: he has gone from being an insufferably arrogant skirt chaser who can control the weather to being an insufferably arrogant skirt chaser who can control the weather who looks like a little kid. I guess they did this to make up for the departure of Amadeus—maybe Pak and Van Lente just think a child plays well of their immature and now terribly bright Hercules. This new adventure starts with Athena leaping out to battle the harpies sent by Hera to kill the child-king of the gods. She orders Herc to hide Zeus with… well, it doesn’t matter because Balder the Brave comes to ask Hercules to stand in for Thor, who has been banished from Asgard for killing his grandfather (Herc, of course, points out that Olympian males constantly kill their fathers, a fact that young Zeus does not find amusing). So the Prince of Power and his dad go off to help their northern neighbors, with Herc being glammed to look like Thor. Of course, there is something they don’t know. And I won’t tell you because you really should be reading this title by now.

Other comics:

Angel: Only Human #1- Illyria and the recently rehumanized Gunn receive a call from Fred’s parents that Fred’s uncle has died. Illyria and Gunn go to Fred’s parents’ house. Illyria and Gunn find a bunch of hiding demons. But there’s more to it than that. Scott Lobdell (X-Men, Buffy the Vampire Slayer) and David Messina (Star Trek: The Next Generation: Intelligence Gathering, Angel: Auld Lang Syne) tell the tale.

Batman #689- We don’t actually see Robin but Alfred and Dick talk about him. Also, Two-Face and Penguin continue their separate plans as we’re still leading up to the guy in the cape and cowl getting pounded.

Lockjaw and the Pet Avengers #4- The climactic battle with Thanos ends exactly the way you’d think, certainly the most logical conclusion—Lockjaw, Throg, and co. outsmart the Eternal from Titan. Good news here is that this Chris Eliopoulos (Uncanny X-Men, X-Force) and Ig Guara (New Avengers: American Armed Forces Exclusive) creation will apparently be back next year in a running series.

Red Robin #3- A lot of backstory and loose threads hanging around here. Tim thinks he’s found proof positive that Bruce is still alive. Only problem is, according to the objective scenes we’ve been shown and Tim’s subjective thoughts, Drake’s not thinking straight at all. And then there’s Ras al Ghul’s “help”.

Tales of Asgard #4- More god-sized action from the Golden Age of Marvel.

Titans #16- Starfire’s psychoanalysis and some backstory. Really good, depending on where it leads.

The Unwritten #4- Tommy and Lizzie find a map of stories while Pullman impersonates Candyman.

The Walking Dead #64- The Hunters find out why Dale was alone when they found him—and are none too pleased, especially with him laughing at them. It may not matter, really, but it’ll be a whole lot more fun if it does. I think things with Carl are building to a head, too.

Werewolves on the Moon: Versus Vampires #3- All mysteries solved in this final issue! Dave Land (The End League, Star Wars) and the Fillbach Brothers (Dawn: Return of the Goddess, The Goon) brought us a very funny, zany romp that ended as well as it began. Maggie’s father redeems himself and Gregg shows Till what happens when the worm turns.

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August 8th – Angel, Fallen Angel, All Winners Comics, Destroyer, and More


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Quick Hits – Angel, Fallen Angel, All Winners Comics, Destroyer, and More

August 8, 2009 at 5:26 am | In Comic Book Reviews, Movie Reviews, Quick Hits, Sam Christopher | Leave a Comment
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By Sam Christopher

panic_in_year_zeroEarlier this week I viewed for the first time Panic in the Year Zero (1962), a sf tale about one family’s battle for survival during a nuclear holocaust. Ray Milland stars in and directs this low budget, very realistic picture. Milland’s family—the average for the time, a man, his wife, with one daughter and a son (played in this case by Frankie Avalon)—leaves their home in Los Angeles for a camping trip into the mountains when the Russians (actually I don’t think they ever really say where the strike comes from but given the time I think it’s obvious) nuke New York, DC, Chicago, and LA. There is, of course, a mass exodus from the city and Milland does what he feels he has to to keep his family safe. He makes decisions which are morally objectionable in polite society but seem necessary to keep his family safe during the period of lawlessness in the aftermath of the attacks. They buy up all the food they can from a grocer off the beaten path who hasn’t heard about the attacks yet; they attempt to buy guns from a hardware store but when the owner tells Milland he’ll have to wait a couple days for registration the latter steals the guns (although he does leave the guy payment). I really enjoyed this film, much more than I thought I would (especially since I would have sworn I’d seen it before—still not sure what film I was thinking of). It was realistic and interesting, with good characters and deliberately understated direction that sets the perfect tone for this story. I would give it 3 Stars out of Five.

And now to the comics…

This week starts out with Angel #24 and the first chap in a story starring Spike’s ex, Drusilla, plotted and partially scripted by “Dru” herself, Juliet Landau, with scripting help from Brian Lynch (Spike: After the Fall, Spiderman Unlimited). I love this story; I think my favorite part is either when Dr. Gray offers to move her from isolation so long as she promises not to “get aggressive” (and we all remember what a shy, timid soul Dru’s been in the past), or when Dru un-aggressively shows Dr. Luce the error of her ways. Not sure yet how this all fits in with The Fall, or if it does, and I would’ve liked to have seen a reference to the psychotic Slayer who was in a mental ward in LA as well (just might’ve been a cool little touch to have it mentioned), but all in all an excellent beginning to the story. And let’s not forget to mention how much the Franco Urru (Spike: After the Fall, Fallen Angel Reborn) art added to the book, solid as usual. Oh, and the photo gallery in the back is not to be missed. Ms. Landau has a fantastic set of gams.

And, since we’re starting with Angel, I guess we should mention also that Illyria guest stars in Fallen Angel Reborn #1 and 2 which is why I picked them up. I read all the original DC issues of Peter David’s Fallen Angel, and I still say she was where he wanted to go with the “Earth Angel” Supergirl, but I never read any of the IDW versions. I missed the first few issues and eventually just decided to let it go. I have thought from time to time of getting the trades in order to get caught up. However, this new series is one a new reader unfamiliar with Liandra and Bete Noire can get into easily. The story starts with a pitchman from the Hierarchy offering Illyria all she had in the distant past if she would just do them the favor of killing Liandra and, although it is unspecified, no doubt destroying Bete Noire in the process, which has now been shown to be the center of the psyche of all the rest of the world. In other words, David’s words as spoken by Liandra herself, Bete Noire is “the city that shapes the world. What happens here is reflected in the events of the world, like rings rippling across a pond from a tossed stone”. The destruction of this focus point surely aid the Hierarchy in whatever their goals are. This great Peter David (Incredible Hulk, Young Justice) story is aided by excellent JK Woodward (Eureka, Zombie Tales) art, which is perfect for the tone of this tale.

My only made two purchases from Marvel this week—I stopped buying Hulk after the disastrous #600 and everything else was all that Dark Reign crap and Spiderman, which I gave up on after Mephisto… well, let’s just say I thought that story was “Clone Saga bad” and it was the last straw.  The first was All Winners Comics 70th Anniversary Special #1. The new story, written by Karl Kesel (Superboy, Human Torch) with Steve Uy (JSA Classified, Iceman) artwork, gets off to a rocky start before settling down into a pretty good tale. The art, at first blush, just isn’t very good. It just doesn’t seem to fit a superhero motif. But by the end of this tale incorporating very modern sensibilities and team dynamics the pictures seem to show it as a perfect fit with the Timely Comics of the ‘40s. the reprints in this ish are “Winners All”, a prose story by Stan Lee (Nick Fury, Agent of Shield, Tales of Suspense) with an illustration by Jack Kirby (Journey into Mystery, The Mighty Thor) from All Winners Comics #2 in Fall 1941, and “Captain America: The Four Trials of Justice”, by an unknown writer and artist from All Winners Comics #12 in Fall ’44. They are both fun reads, as are the reprint ads, one for Captain America’s Sentinels of Liberty, the other for Captain America Comics and Marvel Mystery Comics. The second Marvel purchase was Destroyer #5, in which I really hated the ending, which is too bad because the beginning of this ish is wonderfully bent and funny. The series as a whole was fun, though, It’s still the only superhero work of Kirkman’s (The Walking Dead, Marvel Zombies) I like (never read Invincible, though, and I hear it’s very good). And I can’t say enough for the perfect Cory Walker (Invincible, Shadowpact) art, either.

The landmark series from Mark Waid (Amazing Spiderman, The Flash) and Peter Krause (Star Trek, Sable) continues with the 99 cent Irredeemable #5, priced low to attract new readers, and there’s also a trade out collecting the first four issues. Volt, Waid-World’s Black Lightning analogue, is funny, and he owes a serious debt to the now-evil Plutonian. But don’t worry, “Tony” makes sure he pays in full. Also, how evil could Superman be to the average person, even without ever leaving his Fortress? This ish holds that answer, as well. I have lauded this series since its premier and Waid and Krause have yet to disappoint. At every turn they delve unflinchingly into the depths a man who can do anything can sink to, although it does seem the Plutonian is looking for something, or waiting for something. Or maybe it’s as simple as it looks and he’s just toying with everyone in the belief that no one can harm him. Wherever they’re going with this myself and discerning readers everywhere will be glad to follow.

And how can we mention Irredeemable without mentioning its slightly “older brother” over at DC as The Mighty #7 hit the stands this week with an odd story. I’m sure this is important, and I know that Alpha manipulated the situation completely, but I have to wonder what happens if Cole had recorded the encounter with the terrorist and had someone who speaks the language listen to the tape later. I guess that would be impossible, though, since last ish showed us that Alpha’s fully aware of the Cole’s suspicions. Unsure about the end here, too; I just think it more likely that Alpha has staged even that in order to keep Gabriel off-balance. And what better way to keep Cole in line, if it comes to that, than to have what he loves most? Writers Peter J. Tomasi (Green Lantern Corps, Blackest Night: Tales of the Corps) and Keith Champagne (The Legion, What If) have once again deepened the mystery with the aid of that great nostalgic Chris Samnee (Blackest Night: Tales of the Corps, Daredevil: Blood of the Tarantula) art.

On the minus side of the ledger this week, I bought Doom Patrol #1 against my better judgment. This team, like the characters Hawkman and Atom, pops up every few years with a “new direction”, or a writer with a fresh take, and usually does just well enough to hang around for a few months before being cancelled. This time the title has writer Keith Giffen (Justice League Europe, Legion of Superheroes), who has handled teams very well in the past, working with artist Matthew Clark (Inhumans, Pantheon) so I thought I’d give it a shot. Not bad but not very impressive, either, really just average fare for these characters. The Metal Men backup—which also helped tip the scales toward my buying this title—was no great shakes, either. Again, not bad, and fun in its own way, but nothing that could carry a book. And since the opening act couldn’t do it either…

Other comics:

Buffy the Vampire Slayer #27- Not an Oz fan. He was all right at first on the show but that wore off rather quickly, and even making him a werewolf didn’t help me much. And nothing here’s making me like him better.

Final Crisis Aftermath #4- Still pretty good, but I don’t understand how Miller’s broken jaw and nose heal in, like a panel. I didn’t realize he was Logan’s other brother Darryl.

Justice League: Cry for Justice #2- The mystery deepens as all roads lead to Gotham and Captain Marvel and Supergirl enter the storyline.

North 40 #2- Weirder and weirder. Aaron Williams (PS 238, Zombie King) gives a good story but I can’t say enough about Fiona Staples’ (Proof, War Machine) art. It is just magnificent here, a perfect depiction of this Lovecraftian nightmare.

Star Trek: Alien Spotlight: Q- An all right story with all right art.

Superman: World of New Krypton #6- Told ya so! I know, I know—they say Zod looks bad and they don’t know if he’ll make it but come on, you know he will. Didn’t see the assassin running to Earth, though.

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Aug 1st – Justice Society, Wonder Woman, Blackest Night, Fantastic Four, and More

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Quick Hits – Justice Society, Wonder Woman, Blackest Night, Fantastic Four, and More

August 1, 2009 at 7:00 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 2 Comments
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By Sam Christopher

Diving directly into the comics this week…

jsa_29The new creative team of writers Bill Willingham (Fables, Elementals) and Matthew Sturges (Jack of Fables, Final Crisis Aftermath: Run) with artist Jesus Merino (Avengers Forever, Superman/Batman) comes out swinging with “Fresh Meat”, Part One of the Bad Seed storyline in Justice Society of America #29. The tale opens with the mystery of a solid black, non-reflective egg found in The Brownstone. Then there is our intro to some of the new recruits, one the great nephew of The All American Kid, DC’s answer to Bucky Barnes who has had the good grace to just stay dead—so far, anyway. The other newbie we meet is a snotty little jerk who goes by the name of King Chimera, who is apparently a walking holodeck; I’m sure he’ll be very useful if the JSA fights Jason Voorhees on a spaceship (That scene alone is worth sitting through Jason X for: “We love premarital sex!”). Anyway, the main team goes out to save some hostages from some clown called Tapeworm, a loser described as “one of Robin’s punching bags”. Of course, this mission isn’t what it seems and I can see the whole team being taken by surprise but I find it hard to believe this group of very experienced super-beings wouldn’t have turned those tables rather quickly any other time. What happens to Mr. Terrific, though… W*O*W! I don’t believe it, but it looks bad.

Next, in Wonder Woman #34, we see there’s no rest for the weary as Diana dives headlong into her next adventure: hunting down and preventing the restoration of genocide. Of course, her only lead to its whereabouts is given her by Thomas Oscar Morrow, who we learn for the first time (I never heard it anyway) here is not his real name. Despite her reservations, WW follows through, and that lead takes her into the shadowy world of underground arena superhuman fights. So, that info takes her to the home of her friend, Dinah Lance-Queen, otherwise known as Black Canary, who tells Diana that the more bosom she shows—and it is the “second most famous bosom” in the superhero community, after Power Girl—the fewer questions will be asked. The makeover party (in which Dinah resists the urge to make fudge and talk about boys) leaves Canary looking like Ravager’s older sister and Diana looking like… well, I’m not sure what that’s supposed to be. Shows a lot of that bosom, I can say that. And the new suits do get them into the fights. Meanwhile, “King Achilles” takes over Themyscira and enacts Zeus’s prohibition on Amazons carrying weapons. This edict is about as popular a measure as you’d imagine. All this in “ Birds of Paradise” Part One, just another chapter of ho-hum excellence from master scribe Gail Simone (Secret Six, Birds of Prey) with the excellent artwork of Aaron Lopresti (Excalibur, Takion).

And, of course, we have to mention Blackest Night: Tales of the Corps #3, as this series concludes with a couple of stories of the most familiar spectrum warriors for us, the Green Lantern Corps. Kilowog headlines the first story in this ish, a flashback to when he was a new recruit and being trained by… Lantern Ermey, who looks pretty much like you’d expect. This story, by Peter J. Tomasi (The Mighty, Green Lantern Corp) and Chris Samnee (The Mighty, Checkmate), is very good until the badly telegraphed ending. As I read, I saw where it was going and kept hoping I was wrong but they did it anyway. Lantern Ermey as the DI, though, is worth the price of admission all on its own. The second story, by Tomasi with artist Mike Mayhew (Vampirella, The Pulse), centers on Arisia and her family line of GLs. It’s all about how her entire life is shaped by the Corps and her desire to be a member. Pretty vanilla, actually, but still very good. And the ish—and series—concludes with a reprint of Blackest Night #0 with “Director’s Commentary”, for those who missed the story when it was out as a free comic. This was all right, I guess. I’d already read the original, and Geoff Johns’s and editors Adam Schlagman’s and Eddie Berganza’s comments didn’t really add anything for me. If you didn’t read it before, though, it’s worth having just for that.

“Doom’s Master” Part Four is the end of the Mark Millar (The Authority, Fantastic Four) era in Fantastic Four #569. First, the main story ends as lamely as I expected. I wasn’t thrilled when Plastic Man was said to have lived for thousands of years after being torn apart in the past in that JLA mini a few years ago, imagine how I feel reading that Doom allowed himself to be torn apart at “the Dawn of Time” and that his “hate” kept him alive for millions of years so he could… whatever the hell it was that he went through all that for. So now he has the power to murder a Watcher, and he’s so far above Reed and the rest of the FF that he bears them no ill will—but, of course, he’ll deign to kill them all if they ever cross his path again. Blah, blah, freakin’ blah. And don’t even get me started on Ben wussying his way out of his wedding to Deborah. After all this buildup, that was just so… gutless. Dumb, just dumb. All the way around.

And, finally, we have an excellent ending to what has been a very good story in Star Trek: Mission’s End #5. The differences—or, more accurately, the lack of differences—between the “low” creatures and the “high” ones is explained and Bones is saved along with his landing party. Scotty, meanwhile, does what is necessary to keep the ship intact while under the gun—quite literally—from Orion raiders. Of course, there’s also the matter of having to come up with a plausible explanation for the “Heart of God” not making the Federation or the Orion Syndicate the most powerful entity by far in the Alpha Quadrant. All this and what should have been a tearful goodbye, to boot. My only quibble with the ending of Ty Templeton’s (Superboy, Stig’s Inferno) and Stephen Molnar’s (Marvel Triple Action) tale is that I always thought the original crew actually did two five year missions before The Motion(less) Picture; this ending shows it to be one. I’m either misremembering or, and this is an easy out for the storytellers, they just decided it’s not really canon and threw it out. I’m pretty sure, though, that’s the way it was originally.

Other comics:

Batman: The Brave and the Bold #7- Bats teams first with the Olympian from the Global Guardians, then helps out the Doom Patrol. This ish was a little too kiddie for me, not really capturing the spirit of the tv series as well as previous installments.

The Complete Dracula #2- The fall of Lucy Westernra. Another fantastic issue in this great series.

Detective Comics #855- Well, since “Alice” showed up the story has taken a definite turn for the crazy. I know what happened this issue, it just doesn’t make much sense. Yet. “Alice” is a vicious nutcase who fits right in in Gotham. In The Question backup we see Renee kick some serious butt before being captured by the “big man”.

Final Crisis Aftermath: Ink #3- Mark does the only thing he can think of to safeguard his son, not that that makes his wife any happier about it. And then there’s the mystery of Mark’s wandering tatts.

IDW Coming Attractions #1- Only a buck, but really just a bunch of one or two page ads for upcoming books. The best of these looks to be a pair of Rocketeer hardcovers, one a reprint of all the Dave Stevens stuff (which may be all there is; I don’t remember anyone else doing anything with the character), the other a reprint of all the Dave Stevens stuff remastered with a lot of extra art.

Ignition City #4- Mary is saved by an old friend of her father’s and talks the whole thing out with him. Of course, he’s nutty as a fruitcake.

Justice League of America #35- The Royal Flush Gang? I can’t believe they stretched this whole battle out to a complete issue.

Last Days of Animal Man #3- Buddy learns what’s going on with him—and sees what has been going on in his family for years. Let’s see—he’s losing his powers and he gets to make out with Koriand’r. Sounds like a good trade, although I doubt his wife would agree.

Son of Hulk #13- There’s a new Skaar in town… and his name is Hiro-Kala.

Superman #690- A series of couple page setups for other books following an Atlas/Irons battle that nearly brings down the house. Literally.

Teen Titans #73- Starting to remember why I stopped buying this title way back when: so often there’s so much going on, so much… chatter… that it gets on my nerves. The Ravager second feature is doing all right thus far; still early yet.

John J. Joex is looking for Comic Book Artists to collaborate on one or more ideas he has developed. Click here for more info.


Jack Kirby's Fourth World Omnibus, Vol. 1The Jack Kirby Store: Offering a comprehensive selection of compilations of The King’s work available on Amazon.com including the Fourth World, Fantastic Four, Kamandi, Thor, Captain America, The Eternals, and many more.

Quick Hits – Aliens, Blackest Night: Tales of the Corps, The Green Lantern, Vertigo Crime Special Ed and More

July 25, 2009 at 5:56 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 Comment
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By Sam Christopher

First, the good…

16105Not sure how much farther into the future the story continued in Aliens #2 is set from the film storylines but the androids are evidently on a par with Winona Ryder from Alien: Resurrection (and being an android is almost as bad as being married to a Vulcan I would guess Dr. McCoy would tell me). This series is still better than I thought it was going to be. John Arcudi’s (Aquaman, Thunderbolts) story is very interesting so far, probably because he’s made it more about what was going on before the “alien infestation” than the slaughter-fest that accompanies it. The reader is thus far more drawn to finding out the story behind Red and Gary and, with this issue, Andrea, than worrying over the new appearance of the aliens themselves. Zach Howard (Shaun of the Dead, Justice League Unlimited) and Gabriel Andrade provide great pencils with seamless transitions between the two (one handles the first and final thirds of the ish, the other the middle third); the artwork overall for this story couldn’t be better. Dark Horse has, as usual, put together an excellent creative team and that team has created an exciting new story that looks to break new ground in the Alien mythos.

And speaking of coming back for seconds, the second week of Blackest Night starts off with, appropriately enough, Blackest Night: Tales of the Corps #2 with its continuing anthology of the various corps. The first story, “Tales of the Red Lantern Corps: Fly Away”, is the origin of Bleez and follows her from a life of slave-owning privilege to her induction into the “Rage Brigade”. This is another winner by Geoff Johns (52, The Flash), with perfect art by Eddy Barrows (52, Birds of Prey). For those of you who don’t know about the Red Lanterns: picture the Infected from 28 Days Later with power rings. Second, Johns teams with artist Gene Ha (Top10, The Authority) to bring us “Tales of the Star Sapphires: Lost Love”, in which Carol Ferris receives both a prophecy and a gift from the Zamarons. She is, of course, reluctant to accept again the mantle of Star Sapphire after the trouble it’s caused she and Hal over the years but finally decides that love is more important to her than logic. The third story, “Tales of the Orange Lantern Corps: Blume Godhead”, is by Peter J. Tomasi (The Mighty, Green Lantern Corps.) with Tom Mandrake (Martian Manhunter, Grimjack) art. This is an excellent tale of Larfleeze’s reaction when “Galactus” comes a-calling. What can be said, folks? He wants what he wants. We then wind our way into the new issue of Green Lantern, #44 in the series, collect ‘em all, in which Hal and Barry Allen find that a dead Martian Manhunter is far more dangerous than a live one. Talk about The Evil Dead! Also, our Dark Guardian explains the purpose of the Black Lanterns both at the moment and their endgame. Looks like DC’s Thanos is coming back (it’s not like they haven’t hinted at it for awhile now, anyway).

And, finally in this section, we have the Vertigo Crime Special Edition #1, a one buck split book giving the reader a little taste of three different “true crime” type stories from DC’s adult imprint. One half of the book is given over to 100 Bullets, which I never read. This looks to be the very beginning of the story; I think they’re trying to interest new readers in the trades they’re putting out of the entire story now. I have to say that it looked very good to me, a very interesting premise. The other half is divided into “Filthy Rich”, about a guy hired to watch over the sexy wild daughter of a rich man—seems like an episode of Pat Novak for Hire, to me (which is a very good thing)–, and “Dark Entries”, about a psychic investigator hired to find out what’s gone wrong on the set of a “haunted house” reality show.

And now the bad…

Dark Reign: Fantastic Four #5 crystallizes, for me, everything that’s wrong with Marvel right now. Norman Osborne stands in front of the entire Fantastic Four and pulls a gun on Reed Richards? And then threatens to sneak back in under cover of night and harm Reed and Sue’s children?!? The entire FF just stands there while this clown with no powers whatever threatens harm to Franklin and Valeria and all Susan can think to do is scold Franklin for shooting Osborne in the shoulder with a toy gun (and here at least Franklin’s behaving realistically—for a kid with the power to do almost anything anyway)? I mean, this guy’s trying to murder her husband, her son stops it, and she yells at her son?!? I don’t get that at all. I also just don’t understand how Osborne’s threats weren’t recorded, and how those threats and his total unhingedness doesn’t lead to his being fired by the government and locked away. Of course, I don’t understand why Hera didn’t splatter him in Incredible Hercules, or how Spiderman, Wolverine and co. just sit back and watch him destroy the good name of the Avengers, or how that armor he wears is still working (am I the only one who read Armor Wars?). This whole storyline—mainly the part about Reed searching alternate timelines for a way out of the difficulties of Earth-616’s recent past—is a direct lead-in to FF #570, in which a new creative team takes over the title. (Personally, I think Reed should have just gone back and stopped The Clone Saga, but, luckily, Marvel’s putting the whole thing in a new mini-series so a new generation of readers can learn the true meaning of “suck”.)

Other comics:

Gotham Sirens #2- Not as funny as the first ish but the story thickens as Harley saves Hush, thinking he’s Bruce Wayne, from a kidnapping and looks to be Elliott’s pawn to lure Selina into the open.

Incredible Hercules #131- Immortal Hercules battles his own dead human half Heracles for the fate of Zeus, and Amadeus makes a discovery that shakes his faith in Athena. Also, Pluto learns that he should’ve been a little more careful about what he wished for.

Incredible Hulk #600- They’ve finally played out the hand a little too long for me. I have no intention of buying another issue of Hulk. I was hanging on til this ish to see if they’d give me a reason to stay or at least tell me who the Red Hulk is. No on both counts. We’re done here.

Power Girl #3- PG takes an assist from Terra in setting Manhattan down, then our out-of-Universe Kryptonian siren locks up the wounded ape. Meanwhile, the next threat is moved to the on-deck circle. I have to admit I was not too thrilled with the way this story ended so abruptly here. I love this character and I like the way this title has gone thus far, except for the end of the Ultra-Humanite’s story.

Red Sonja #46- Osin finds Sonja and Osin’s guide explains Sonja’s true purpose, which frees her to defeat the demons besetting her and raise an army. They’re stretching this out to the 50th issue, and I really think they started the story too early—just seems to be dragging here and there.

Spock: Reflections #1- Very good first issue, except that young Spock says no one on Vulcan taunts him even though we’ve been told in both TOS and the new film other Vulcan children did indeed give him trouble. Still, good first ish by Scott and David Tipton (Star Trek: Klingons: Blood will Tell, Star Trek: Mirror Images), with all right art by David Messina (Angel: The Curse, Ghost Whisperer).

Supergirl #43- Not a bad story, if a little generic. Nothing special, though.

Thor-Hercules Encyclopedia Mythologica- All the mythic pantheons depicted in the Marvel Universe collected together!

Vigilante #8- Joe is on the run from both the feds and the mob. I know that’s not much of a description but it pretty much sums up this issue.

Previous Column:  Blackest Night #1, Titans #15, Batman: Streets of Gotham #2 and More

John J. Joex is looking for Comic Book Artists to collaborate on one or more ideas he has developed. Click here for more info.

Quick Hits – Blackest Night #1, Titans #15, Batman: Streets of Gotham #2 and More

July 19, 2009 at 9:56 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 Comment
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By Sam Christopher

Before we get into the comics this week, I recently joined a website called adoptaussoldier.org which puts people in the US in touch with some of the people fighting for us in foreign lands. Doesn’t matter what we think of the actions they’re involved in, doesn’t matter what we think of the President or the Congress which sent them wherever they are, or are keeping them wherever they are, we should each and every one of us thank the people who risk their lives for our freedoms. The way this works is you sign up on this site and they assign you a soldier to write to via EM or snail mail. I just joined last week and I can tell you that reading the excitement in Samantha’s (my soldier) EM gave me a feeling that… well, it’s about the same feeling as giving a present to someone you don’t know on Christmas. Anyway, I highly recommend the site and the activity and thank the lovely Sharon for finding it.

To comics…

blackest_night_1It’s finally here! Blackest Night #1, the comics event of the year from Geoff Johns (JSA, Avengers) and Ivan Reis (Ghost, Action Comics) centering on Death, kicks off with a celebration of life in Coast City, rebuilt and repopulated after the Cyborg Superman destroyed it during the final days of Reign of the Supermen. The day of Superman’s death has, since his resurrection, become a holiday honoring all the superheroes in the DCU, and while the regular folk celebrate their saviors, the “capes” memorialize their dead. Meanwhile, in Space Sector 666, the dead are “honored” in a whole different way. And here we also find that our friend, the “Dark Guardian”, has emerged from the bowels of Oa with a decidedly unhealthy appetite—unhealthy for the other Guardians, that is. Hal explains the way of the current world to Barry Allen, while Hawkman and Hawkgirl have a serious fight before she finally tells him what he most wants to hear—and gets out of it what she expected. This is an excellent beginning chap to a story which seems like it’s been prologued for a decade or so now.

And then we have Blackest Night: Tales of the Corps #1 which gives us three ancillary stories to the mythos thus far. First up, we have “Tales of the Blue Lantern Corps: Saint Walker” by the aforementioned Johns with Jerry Ordway (Superman, Infinity, Inc.) artwork, in which we learn of the bottomless well of hope within Walker that led the blue ring to him in the first place. An incredible story of faith that leads me to think Larfleeze doesn’t stand a chance on Odym. The second tale of the ish is “Tales of the Sinestro Corps: Mongul- For Your Love” by Peter Tomasi (The Mighty, Aquaman) and Chris Samnee (The Mighty, Pulp Tales). This is all about Mongul’s son trying to be Mongul. Meh. Not bad but the worst story of this issue. Finally, Johns and artist Rags Morales (Hawkman, JLA) bring us “Tales of the Indigo Tribe” in which Will and Fear do battle on the field of Compassion. The Indigo Tribe is an unknown commodity still. All we have been told about them is that they are the color of Compassion, and we see here their language is indecipherable even to a GL’s ring. Could be they’re the key to ending the Blackest Night.

And this discussion of Blackest Night would be incomplete without a mention of one last prelude. Titans #15 has Tempest (formerly Aqualad) taking stock after the deaths of his wife and child, and Arthur Curry—Aquaman. Queen Mera has also gone missing and the Atlanteans, who always hated Garth (Tempest) due to his violet eyes (they hated Curry because of his blonde hair at first too—the Atlanteans are apparently a superstitious and cowardly lot), are suddenly looking to him for leadership. He goes to Gotham City to talk it over with his best friend, the new Batman, and returns to take the throne. Oh, and his Uncle Slizzath, a necromancer, commits “suicide by Tempest” along the way, too. And, despite the cover, not only does Tempest not battle the Titans in this issue, no current Titan is ever even shown except in flashback.

And, speaking of Batman, in Batman: Streets of Gotham #2 Alfred learns never to trust Thomas Elliott (Hush), even if Elliott’s on fire, and Firefly learns the price of overstepping his bounds with Black Mask. Unfortunately for Black Mask, Firefly had anticipated his master’s response and taken steps to shield himself from the consequences of his own actions. Unfortunately for Firefly, though, our new Caped Crusaders are as efficient as the originals, and Gotham isn’t burned to the ground by the “human torches”. Afterward, the Bat-crew (Dick, Damian, Alfred) gather to lick their wounds after the (mostly) aborted conflagration, they also start to send out the “have you seen…?” notices to all the heroes in the DCU for the escaped Hush, who has the face of Bruce Wayne. They then look on the television and find that he’s also impersonating Santa Claus. In the Manhunter second feature, Kate hunts with Rorschach-like panache for the missing Jane Doe—an Arkham escapee who can take on the appearance and characteristics of anyone by simply skinning them and wearing their skin. Not bad for a second story. Definitely worth the extra buck.

And, finally, we have a couple of characters who are older than comics. First, in Domino Lady #1, Moonstone does what they do best: bring back an old character and update him/her without updating him/her. Doc Savage, The Phantom, Kolchak: The Night Stalker—Domino Lady fits right in with two stories written by Nancy Holder with different artists, Danny Sampere and Leeahd Goldberg, respectively. Now if only they’d bring us The Shadow, or an anthology series adapting the old Astounding Science Fiction Stories to comics, or maybe some horror from Lights Out. I think Moonstone would do an outstanding job with these. And then there’s Sherlock Holmes #3, in which we see an old man return to the room he rents only to find it has been sublet by the landlady, forcing him to go to extremes to protect his claim. And, as the escape of Sherlock is being kept under wraps, Watson goes to the marvelously obtuse Mycroft Holmes for aid.

Other comics:

Action Comics #879- Lois has Mon-El check her father’s grave and finds what she expected while Codename: Assassin meets the Flamebird. I just don’t understand it not flash-frying him along with all the Orcs he had helping him. Captain Atom was all right for a backup feature.

All-Select Comics 70th Anniversary Special #1- This stars the Blonde Phantom and Marvex the Super-Robot. The BP new story was very predictable, and I got it even though I’m not a woman. The Marvex story—meh. The two-story reprint of Marvex from Daring Mystery Comics #3 and 4 in 1940 are the best things in this ish and they’re not great.

The Brave and the Bold #25- Hardware and Blue Beetle team up in a blatant ripoff of Armor Wars. Don’t they realize Tony Stark has deep enough pockets to sue them?

Buck Rogers #2- More of the story unfolds as Buck learns why the military wants to commandeer his gravity drive in the now, and tries to escape the “ani-men” in the future. The title for the third ish is “Ghosts of Mars”, which is cool because you’ll be thinking it all the way through the second.

Lockjaw and the Pet Avengers #3- From the ocean floor to be swallowed by a whale to the White House to be confronted with the power-mad would-be ruler of… no, not the President this time, it’s the guy who’s always after the Infinity Gems. Makes sense; where else would someone willing to stop at nothing to gain power over others be but in Washington, DC?

The Mighty Avengers #27- “The Unspoken” Chapter One. The former king of the Inhumans returns from wherever he’s been, and Hank Pym unveils “The Infinite Avengers Mansion”, which much to Jarvis’ relief is self-cleaning.

The Unknown #3- Word of advice: If you go through The Door to the Afterlife always, always, always prop the door open behind you.

The Walking Dead #63- Rick, Andrea and crew hunt for the missing Dale until it’s decided to take up the march to Gabriel’s church, where we finally learn what I think is Gabe’s real story. And we get to see the Hunters, who have taken the saying, “If you can’t beat ‘em, join ‘em”, to a whole ‘nother level.

Werewolves on the Moon: Vs. Vampires #2- Captain Maggie Pilgrim, the beloved of Lord Till of the vampires—although she doesn’t know it yet—decides the wolves can be of use against the vampires that no one believed existed until yesterday. And we get to meet Pilgrim’s non-aging, garlic and sunlight-avoiding, blood-drinking father—who hasn’t been a vampire for the 20 years he’s been kept in that mental institution by Earth Central. Just another funny, funny chapter from Dave Land and the Fillbach Bros.

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July 13th – North 40 #1, Green Lantern #43, Batman #688, Red Robin #2, and More

John J. Joex is looking for Comic Book Artists to collaborate on one or more ideas he has developed. Click here for more info.

Quick Hits – North 40 #1, Green Lantern #43, Batman #688, Red Robin #2, and More

July 13, 2009 at 7:33 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 Comment
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By Sam Chrisopher

Straight to comics this week…

north_40_1First, I almost didn’t buy North 40 #1 after the dire Greek Street debut from last week, especially with the $2.99 price tag. I don’t know why DC didn’t make this a dollar comic but I guess they figured horror fans would buy this anyway. Worked in my case. A very Lovecraftian story by Aaron Williams (PS238, Zombie King) with absolutely perfect art by Fiona Staples (Proof, War Machine). A goofy hick and a gothic chick find a strange book in the public library. The book is handwritten and filled with weird symbols. Oh, and it causes their brains to hemorrhage as they look at it. Then the night comes and everyone in the county blacks out… and the next day is decidedly less mundane than the one before. (I did say this was Lovecraftian, right?) Just an excellent first ish in what could be a marvelous series.

After months of Prelude to Blackest Night we finally reach the Prologue to Blackest Night in Green Lantern #43. In a story set before the Blackest Night #0 Free Comic we see the raise and fall—and rise—of William “Black” Hand, so named because he is the “black sheep” of the Hand family. Hand is apparently slated to go from that nut who always spouts clichés (with such catchy action as saying “A penny saved is a penny earned” while placing a penny in a fuse box to restore power) to being what will have to be the most powerful villain in the DCU. William Hand is shown here to be a kid raised in a funeral home, the family business. He is a kid obsessed with death, and the preservation of dead things. His family worries over him and eventually sends him to several psychiatrists, but he’s just a young man with serious mental problems who has learned to fake normalcy until the Red Lantern Atrocitus shows up and tells Hand his “insides hold the doorway to absolute darkness”. Then GL and co. show up to haul Atrocitus off and cause the alien to drop the “cosmic divining rod”, which is designed to absorb power—like the power within GL’s ring (I don’t remember where Black Hand got this rod in the earlier mythos—he may have built it himself). Hand uses it to battle Lantern, losing time after time, until Death to show him things rather than just speak to him. All of which culminates in a shocking end worthy of any horror film. If this prologue is indicative of things to come we are in for a fantastic story.

Judd Winick (Green Arrow, Outsiders) and Mark Bagley (Trinity, Strikeforce: Morituri) continue the revamped Caped Crusader with a glance into the near future before beginning a new storyline in Batman #688. In the sneak peak, we see someone in a Batman costume (been at this far too long to accept that at face value) getting the snot beat out of him in the Batcave. Then we transition to “Now” and find that all the media is abuzz over the new leaf turned over by the recently resurfaced Dark Knight. Whereas in the past Batman would have gone to great lengths—hiding in the shadows, disabling surveillance equipment, etc.—to ensure he couldn’t be seen, now he has apparently decided to have a much more public presence. While this makes for better copy, it has the added benefit of allowing the use of this surveillance in court, so the cops love it, too. Meanwhile, Oswald Cobblepot is busying himself with trying to take over as crime lord of Gotham, Commissioner Gordon is evidently grooming his replacement as liaison with Batman, and Two-Face is gearing up to reenter the fray (and he’s using the surveillance, too). One thing about these Batman books is that, unlike the Superman titles, they don’t appear to follow a single storyline: For instance, in last week’s Batman and Robin #2, Damian is completely out of control and cruises on Dick in anger, while here we see our newly-minted Robin chafe at Dick’s instruction but accept it nonetheless. I like this discontinuity; it allows me different aspects of the same characters without having to shoehorn them into one continuous “novel”. Also, the scene with Dick whining to Alfred about the cape is classic.

And since someone mentioned Robin (it was probably me), maybe we should check in on Tim Wayne in his new title Red Robin #2. Tim’s quest to find Bruce Wayne hits a snag as three assassins blow up his hotel room… before he beats them down and figures out where—and who—they’re from. All through, we see him isolating himself from everyone who cares about him while moving closer and closer to embracing one of Bruce’s greatest enemies. Easy to see, no matter what else he does, that Tim Wayne is still a teenager.

Other comics:

Angel: Not Fade Away #3- The three-ish adaptation of the final Angel tv storyline concludes.

Booster Gold #22- Soooo, lemme see if I got this straight—the past cannot be altered unless there’s a turning point which could have caused another future to “develop”. WHAT?!? Story’s all right but I find that premise weak. And the Blue Beetle backup is… well… no more lame than his regular title was.

Star Trek: Crew #5- Final ish of this series has a very good story but an odd ending that seemed to be rushed and kinda out of nowhere.

Superman: World of New Krypton #5- Kal-El’s trial for treason goes pretty much as expected. However, he is given aid from an unexpected quarter. Not sure yet about the ending of the ish; I’d like to believe it, actually, but I really find it hard to.

Super Zombies #5- Final ish, Neuron uses Prometheus to help Nano cure the plague—maybe—in a very satisfying conclusion. The moral of this story? Never trust the UN.

Thor: Tales of Asgard #3- Another installment of this great reprint series.

The Unwritten #3- Tommy and Lizzie search for answers in “The House of Frankenstein”.

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July 6th – Irredeemable, The Mighty, Justice League, The Destroyer, and More

John J. Joex is looking for Comic Book Artists to collaborate on one or more ideas he has developed.  Click here for more info.

Quick Hits – Irredeemable, The Mighty, Justice League, The Destroyer, and More

July 6, 2009 at 11:48 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 Comment
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By Sam Christopher

While taking a break from the Michael Jackson “news”—mostly because he’s dead and he’s not coming back to life, and I already knew I wasn’t in his will—I read something very interesting today while looking over Axiom’s Edge. I usually read everything on it but sometimes I get busy and… In the Orbiting the Blogosphere section posted on July 1st there are several articles of interest but the only one that made me laugh was Paul Waldman’s treatise on zombie films as shining examples of why the Far Left is correct. He says that only through collective action and cooperation can anyone survive the zombie apocalypse and that is “Liberalism” to a tee. Which is a fine premise so long as we ignore the fact that modern “liberals”—and that’s both Dems and Repubs—never ask us to join whatever collective action they deem necessary; the message from “both” sides is always the same: Do what we say or we’ll take away the semblance of freedom we’ve left you so far (they’re already confiscating your property). I know, I know… but in my defense HE STARTED IT!

On to comics…

Bring on the Bad Guys:

irredeemable_4WOW! Irredeemable #4 hit the stands this Wednesday and continues its run of getting better and better every month. In this issue we see the UN doing what the UN does best: appeasing. And when Singapore’s ambassador wins the groveling contest, a “placated” Plutonian pays the country the tribute he feels they’ve earned by showering Singapore with diamonds. Literally. But don’t worry, the people there don’t suffer for long. And then he takes them swimming. Another vicious, vicious installment by Mark Waid (The Flash, The Unknown) and Peter Krause (Star Trek, Sable).

And if you’re reading Irredeemable (and you need to) there’s no way you should have missed out on The Mighty #6. Whereas The Plutonian in Waid’s study of the Superman who has lost his mind is only one superbeing, albeit by far the most powerful, in a world full of them, Peter J. Tomasi (Green Lantern Corps, Nightwing) and Keith Champagne (JSA, Superboy) have dropped their Alpha One into a world all his own. Alpha is totally isolated, the only one of his kind, and appears to have spent so much time alone and above that he is detached completely from the “regular folk”, although not in a Dr. Manhattan “who cares?” sort of way. Alpha’s main problem seems to be that he cares too much, that he has put so much pressure on himself to save everyone that it has warped him over time. And now Gabriel Cole and his wife Janet are figuring it out, with the help of the crazy man murdered in the last ish. Chris Samnee’s (Checkmate, Pulp Tales) art adds a touch of the Golden Age to this very modern story—so much so that I sometimes wonder if we’ll get an emergence of other heroes. Whether that happens or not, this is a comic I can’t wait for every month.

And Now for the Good Guys:

In Justice League: Cry for Justice #1, James Robinson (Starman, Superman) begins our intro to his version of the JLA (he is taking over as writer of the regular title shortly), which will be filled out over the course of this seven issue mini. Hal Jordan has had enough. He has watched as J’Onn J’Onzz (The Martian Manhunter) and Bruce Wayne (Batman) have died and Hal has seen no justice dispensed to their murderers. He questions what the “Justice” League stands for and wonders aloud why they’re not more vigorously rooting out evil-doers in what is becoming an ever-darker world (continuing the theme which has been a staple for the Original Universe since Superman-2 crashed out of “paradise” in Infinite Crisis). He and Green Arrow leave JLA hq and the rest of this ish is vignettes showing how some of the rest of what will become this new team have arrived at these same conclusions. Ray Palmer (Atom), Mikaal Tomas (Starman), and Congo Bill (Congorilla) are all shown as being angry with the audacity of villains and deciding that true justice may require a harsher stance than ever before. Other characters to come in this series are Freddie Freeman (nee Captain Marvel Jr., currently Captain Marvel, I think), Supergirl, and Batwoman. Just a damn good first ish, my only problem being that Wonder Woman and Hawkgirl didn’t join with Hal. But maybe they’re staying with the “goody two-shoes” group as a mediating voice between the two groups. I cannot wait to read more of this story. And Mauro Cascioli’s (Grimm Fairy Tales, The Trials of Shazam) artwork is spectacular here, capturing perfectly the realistic, gritty tone of the story and characterizations.

And on the Marvel Side:

The Destroyer strikes twice this month as Destroyer #5 brings Robert Kirkman’s (The Walking Dead, Invincible) tale of the aging fighter to its penultimate chapter. Turret and Destroyer take on the hordes of H.O.R.D.E. in a battle that starts off looking like S.H.I.E.L.D. taking on A.I.M. but turns into a Buffy the Vampire Slayer episode when Krakoom rears his ugly head. He’s kind of a giant snail with legs—and the gooey insides we’ve come to expect from giant snails with legs that lead secret organizations of evil. And for a tale of The Destroyer in his original venue there’s the USA Comics 70th Anniversary Special #1. The new story has a German journalist taken to see the prison The Destroyer broke out of and was all right.  The reprint was from All Winners Comics #3 in 1942, and was written by Stan The Man, so it has that going for it, which is nice.

And Amazing Spiderman Family #8 was… well, the first story, “Dark Reflection”, sucked. I’m sure someone somewhere thought it was a neat idea but I liked it better when it was Lex Luthor trying to break the confidence of the waitress at the small town café—and I even thought that sucked. And the issue only got worse as The Spectacular Spidergirl evidently really is dead and April kills Tombstone, while Kaine and Darkdevil.. that’s it, I’m out. This story—and this is, what, only the fourth installment since they cancelled Mayday’s regular title and placed it here among this other tripe—has gone steadily downhill, finally falling all the way past “suck”. The other two stories… well, let’s just stop at “suck”. If this is the level of effort they can come up with they need to just cancel the title entirely. It looks as though Spidergirl is leaving already anyway.

Other comics:

Angel #23- Gunn and Illyria battle for their own individual humanity in this prequel to the upcoming Angel: Still Human miniseries.

Batman and Robin #2- Dick and Alfred have a heart-to-heart as Dick comes to grips with the fact that he’s not Bruce Wayne. Gordon and crew meet the new Batman and Robin for the first time and notice immediately something about the Dynamic Duo has changed, and Damian unravels, first trying to beat info out of a suspect with a baseball bat and then rebelling completely against Dick’s authority, leaving the latter to brood. The ending does not look good for our new Robin.

Buffy the Vampire Slayer #26- In “Retreat Part One” the Slayers are being hidden by Willow and the other magic-users but the bad guys figure it out. Giles and faith show up just in time for the battle after being outted from their underground bunker in Berlin. And Buff and Giles worry over Willow becoming one with the dark again—especially after Buffy’s recent visit to Fray.

Fantastic Four #568- Well, the penultimate chapter in the “Master of Doom” storyline was both better and worse than I expected. I guess we’ll see after next ish, but the explanation of the Marquis of Death from this one was really… dumb. And how is he Doom’s… never mind. Maybe it’ll be better next ish.

Final Crisis Aftermath: Run #3- Human Flame vs. Clayface! Clayface vs. a shard of the JLA! Human Flame vs. Immortus’ Gang! The last one doesn’t end well for our “hero”, but it is funny.

Greek Street #1- the flip side to The Unwritten in that it sucked but I don’t feel as bad for buying it as it was only a buck.

Green Lantern Corps #38- Prelude to Blackest Night ends as the Oan Power battery is shattered and the Guardians sanction public execution of Sciencell escapees. Oh, and Mongul figures out that having a base on Daxam might not have been the smartest move he ever made.

Star Trek: The Wrath of Khan #3- Final issue of this film adaptation. Same old thing: Okay adaptation of a very good story with awful art.

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June 27th – Checking in on Superman, Batman, and Wonder Woman

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