Movie Review – Halloween II
September 8, 2009 at 9:46 am | In Movie Reviews, Sam Christopher | 8 CommentsTags: Horror Movies
By Sam Chrisopher
Rating: ½ out of 5 Stars
Why?!? Why did Rob Zombie have to do this? I love the guy—well, in all fairness, I don’t really know him, but I love a lot of things in his public persona that I at least think I know. I love his music for the most part. I LOOOOOOVE the fact that he is a true horror fan. MTV Cribs… another lame offering from M-indless T-eleV-ision. The only one I ever watched (by choice) was the one of Zombie’s house, and I only watched that because of all the cool horror stuff I thought he’d have. And he does have a massive collection of old horror—something I find very commendable. I liked House of 1,000 Corpses, which I thought was weird and humorous enough to be enjoyable, but I thought The Devil’s Rejects was humorless and lame. The main characters in this sequel were just too cardboard for me to ever care what happened to them, and the situations (let me hit “Skinny Dude” with a board and I promise you he will not be getting up) were just too unbelievable and contrived.
Then he remade Halloween. He started with the stated intention of taking all the magic out of the story. In other words, he was going to make it basically a character study of a serial killer, nothing more. I wasn’t too thrilled with the sound of that but I thought I’d give it a shot. I actually liked the beginning of the film, and then most of the rest until Michael returned to Haddonfield. That was when the wheels came completely off. If there was no magic, how could Michael find his sister? How would he have the first clue where to look? Why was he following people all over the place? He followed one chick to where Laurie (his sister) was babysitting… then followed her all the way back to the house where she was babysitting so he could kill her there. And don’t get me started on the end of the picture. The last 15-20 minutes is some of the lamest stuff I’ve ever seen on film. Until now.
I hope I’ve made it clear above that I hate what I have to do here, but I have to be honest as well as fair. Tell you what, though, let me be fair first. I know that this is really a kind of riff on the original Halloween 5: The Revenge of Michael Myers but I have to give Zombie a little credit for trying something different. There’s not much that can be done in horror today that would be completely original, and as I said above this doesn’t fit that category. But he did at least attempt something creative with the film. It ended up being kind of Ed Wood-ian—there were points in this film where I firmly believed the next shot was going to be stock footage of a buffalo stampede, ala Glen or Glenda—but I do give credit for the attempt. The whole thing with Sherrie Moon Zombie in the white dress and the white horse just didn’t work out. And he did say he wanted to make it more violent than his first Halloween—I think he made that grade.
Now that I’ve handled the nicety: I really wanted to stand and scream at the screen how angry I was that I was wasting my time and money watching this dreck but I didn’t want to wake the two or three other people in the theater. This is the second week of release on a Friday night and I doubt there were ten people in that theater. There was a group in front of us: a heavily-tattooed man and woman with two kids who looked to be six or seven-years-old (what goes through a parent’s mind to bring little kids to a film like this?). They got up and left halfway through the movie. Starts off with Michael being loaded into the meat wagon… y’know, I don’t really want to relive this. I tried and tried, but this was like… like… well, I’m not sure what I can really compare it to. It’s not the worst thing I’ve ever seen but it’s on the short list. I didn’t even like the music—other than Nights in White Satin. And Zombie just makes the most unsympathetic characters I’ve ever seen. Even in Halloween, I never cared about anyone in the film other than Michael’s mother and Danny Trejo’s character. Everyone else you either just want to fast-forward to the death scene or watch them die three or four times.
I know I haven’t said much about the actual story. If you really need that kind of thing: Michael Myers isn’t dead. He wanders around chasing his sister and slaughtering a slew of people we’re probably all better off without anyway. That’s pretty much all you need to know—except that those two sentences are much better than sitting through the twelve hour movie (or maybe it just felt that long). Matter of fact, the only thing I can think of this weekend that was worse than watching this awful movie was being told that they’ve already decided to make ANOTHER one: Halloween 3-D! YES!
You’ve been warned…
Quick Hits – Daring Mystery, Mystic Comics, The Irredeemable, The Mighty, and More
September 6, 2009 at 5:27 pm | In Comic Book Reviews, Quick Hits, Sam Christopher | Leave a CommentTags: Comics
A much lighter week than last…
First, there are two commemorative comics from Marvel this week. Daring Mystery Comics 7oth Anniversary Special #1 leads off with writer David Liss (first comics work for this author of six published novels), and artist Jason Armstrong (Doc Thunder, Legion of Superheroes) giving a modern take on The Phantom Reporter. In this story, PR is being interviewed by a modern-day reporter and relates his origin story in a tale that gives us all the two-fisted action of the best of the old pulps along with the three-dimensional storytelling of today. I can’t say enough how much I enjoyed this story; I will say that this is the best of any of the new stories we’ve seen from any of these commemoratives. Mr. Liss has a style that is perfect for this type of character, by which I mean any “mystery man”. I would love to see him on, say, The Question or The Spider. Perhaps even Batman or Daredevil would be a good match for Mr. Liss’ storytelling talents. And now that I’ve slobbered over the writer I think it only fair to point out that Armstrong’s art is perfect for this story. The frenetic, off-kilter style provides just the right touch for a tale of the dark streets of the ‘40s. The backup feature, “The Phantom Reporter”, by ROE and Sam Cooper is from Daring Mystery Comics #3 in April 1940.
Next, we have Mystic Comics 70th Anniversary Special #1, which stars Timely’s version of The Spectre, the Vision. The new story here is written and drawn by Dave Lapham (Stray Bullets, Giant-Size Wolverine) and is a very good Lovecraftian story. This ‘40s version of the Vision is an extradimensional alien drawn to our world by a scientist who creates a portal, a doorway between two worlds (which also makes him a version of J’onn J’onzz, too). The Vision was evidently known as “The Destroyer of Evil” in his home dimension and takes up that mantle here as well. In this story, the aforementioned scientist is forced to open the portal again and a hallucinogenic mist creeps out along with a nightmarish creature bent on destroying our world. I think you can guess what happens next, the broad strokes anyway. While this story is not as good as the Daring Mystery tale from the previous paragraph, it is still an excellent representation of its source material. Lapham does a very good job of capturing the spirit of the ‘40s storylines without being bound by them. The backups here are both titled “The Vision” with only Jack Kirby on the credits (listing all the creators of a story wasn’t industry standard at the time of first run), from Marvel Mystery Comics nos. 13 and 16, from Nov. ’40 and Feb. ’41.
Finally! Finally, we see something get under Plutonian’s skin in Irredeemable #6. The beginning of this ish is interesting, in that it’s showing what appears to be a memory from Tony’s childhood, the end is interesting in that someone is showing him his past. And Charybdis appears to have struck a nerve. Especially given what the other “Superfriends” find in Tony’s “Fortress of Solitude”. I know I beat you over the head with this title every month but I just can’t say enough about the work that Mark Waid (Flash, 52) and Peter Krause (Power of Shazam, Grimjack) are doing here. I still think a being with Plutonian’s power is just playing cat and mouse with the heroes nut the series is so well thought out, so well written, that I don’t mind being strung along here. On the contrary, I can’t wait to see what these two have dreamt up for us next.
And in DC’s great good guy turned bad saga, Gabe takes Janet’s death (if that’s really what it was) very hard in The Mighty #8, even openly defying Alpha One. Or at least that’s what he wants Alpha to think is going on. Along the way here we find that Alpha’s origin story is just that—a story cooked up by the US Govt. to explain this “Superman” in our midst (in a cool touch, Alpha even tells Gabriel that he thought of coming out into the open after seeing a Superman comic in 1938). While there’s still something going on behind the scenes, I have to say that Alpha sure seems to be on the up and up. I’m starting to wonder if it’s not all these other people who are wrong, or—and this might be better—maybe there’s another Alpha. I know evil twins are a hackneyed plot device but on a world with only one superhero it’s as good as giving him a split personality. Still an interesting story being told by Peter J. Tomasi (Green Lantern Corps, Black Lanterns: Tales of the Corps) and Keith Champagne with that wonderful Chris Samnee (Black Lanterns: Tales of the Corps) artwork.
Then we have Justice League: Cry for Justice #3. Sorry, I know they’re trying mightily to make Prometheus into some fantastically powerful and ruthless villain but, no matter what they say or do, this clown will always feel like a revamp to me. In other words, this guy may turn out to be a great villain but that doesn’t make me think he’s not a dweeb here. More, I see no way a guy whose main power is that he can surf the internet at will can stand toe to toe with any of these heroes. He might last a couple minutes with GA or Atom, maybe catch GL off-guard and gain the upper hand for a minute or two, but Supergirl, Captain Marvel, Congorilla, or Starman just splatter in, like, milliseconds. I can only think of James Robinson’s (Starman, Action Comics) writing as very average here. From his awful scripting of Green Arrow—who goes from a stupid and tasteless sexual innuendo aimed at GL because Hal questioned Supergirl’s motives to talking to the Maid of Steel like she was a four-year-old in one panel—to his mishandling of the interrogation scene—I mean, anyone could see what was coming there after a couple panels—this just wasn’t his finest moment. I did love his categorizing of the Global Guardians as the bumbling jokes they are. The saddest part of this shoddy storytelling is that the great artwork of Mauro Cascioli (Trials of Shazam) is buried here. I do fully expect Robinson to do better, though; he’s just too good a writer not to.
And, finally we have Dynamite’s Thulsa Doom #1. This first installment of the greatest enemy of basically every Robert E. Howard creation at this point was all right. I think of it as nothing special, probably because I just don’t care much for what’s been done with the character since he co-opted and changed from the skull-faced necromancer that did battle with Kull the Conqueror to the Cult of the Snake archenemy of Conan the Barbarian for the film of the same name (probably because some stupid Hollywood exec couldn’t pronounce “Thoth-Amon”). If Arvid Nelson (Kull, X-Men Unlimited) wasn’t writing this I probably would have passed on it. Nelson is a great writer for Howard’s creations in comics right now, with a voice that is just the right pitch for these characters. Not to mention Lui Antonio’s (Terminator: Revolution) perfect art for this story.
Other comics:
Batman #690- Dick fights Clayface and his new partner Lyle the Super-Soldier, Pengy’s story takes a turn, and Two-face gets into the Batcave—wearing a very odd costume.
Buffy the Vampire Slayer #28- Great Andrew issue with the dork following everyone around with a video-camera. Faith and Buff have a nice scene (Buffy looking especially cool in her “The Count” t-shirt) and Buffy and Xander have a nice scene—until the end.
Final Crisis Aftermath: Run #5- Yeah, yeah, yeah—still can’t see this clown being alive, much less ducking the JLA despite John Stewart’s attempt at explanation. Still, it is a damned entertaining story.
Magog #1- Not all that thrilled with this character in the first place and this did nothing to change my mind.
North 40 #3- Another terrific effort from Aaron Williams (Backward Compatible, Nodwick) and Fiona Staples (Done to Death, The Secret History of the Authority: Hawksmoor). What makes a party better? Zombies!
Supergirl Annual #1- Two very average stories. Remember the big deal that was made of Lucy Lane being killed as Superwoman? Forget it, she’s still alive.
Sweet Tooth #1- This story, written and drawn by Jeff Lemire (Lost Dogs, The Nobody), just isn’t something I care for. It may garner fans, I just won’t be one of them.
Teen Titans #74- Another Titan dies and we have yet another “new beginning” for the group. Also Ravager runs from guys in the snow.
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Star Trek: Favorite and Least Favorite Guest Characters from TOS
September 5, 2009 at 8:07 am | In Sam Christopher, Star Trek | 10 CommentsTags: Star Trek
(Part of our ongoing series covering all aspects of the Star Trek franchise)
By Sam Christopher
Star Trek, like all the best sf, is more about the characters than the technological advances. Sure, the transporters and warp drive and phasers and replicators are all cool, but it’s the characters that make people tune in. It’s not the Enterprise computer and sensors that people talk about after a show, it’s Mr. Spock’s coolly logical approach to things. It’s not the Universal Translator that people hope to see more of every week, it’s Lt. Uhura. It’s not even the space battles and cool sfx (for the time and budget) that people care about week after week, it’s the interaction of Captain Kirk, Dr. McCoy and Mr. Spock. So I thought it might be fun to take a look at the characters of Star Trek individually, starting this week with The Original Series.
The hard part for me is deciding first on balance. I mean, it’s only right if I’m going to have a Favorite Characters list I should also have a Least Favorites one to go with it. And, with that decided, then we move on to actual numbers. How long a list should I make for each? I’ll settle on five of each for TOS. That’s an easily manageable number. Except… how do I pare down my favorites to just five? I could take the crew of the Enterprise off the table on both lists, or maybe just regular ship’s crew for the series. That frees me from having to decide between Spock, McCoy, Scotty, etc. but still leaves me free to pick Mira Romaine or Gary Mitchell. So that’s what I’ll do. (You do realize, of course, that this could all change with other series. It’s easier to cheat when you make the rules—ask your Congressman.)
5 Favorite Characters from TOS:
5. Trelane, The Squire of Gothos:
If you love Q from TNG (and how many Trekkies don’t?) you have to love TOS’s own version of the character. William Campbell played this role with such a Q-like air that I’ve always thought (although I’ve never heard anyone connected with Trek say it) that John DeLancie was chosen for Q because he reminded GR of Campbell’s turn as Trelane. Later, Peter David would write the novel Q Squared in which he posited that Trelane was a Q. I just always thought it would have made more sense if Trelane and Q were one and the same.
4. Harcourt Fenton Mudd, smuggler/thief
Harry Mudd, who we first meet taking wives to miners on some distant world, is easily the funniest character from TOS. “Mudd’s Women” was all right, establishing him as a con artist willing to do virtually anything to make a buck, but he really rose to the heights in the delirious “I, Mudd”. Here we see him as the “monarch” of a world filled with androids which only want to help humanity. These androids “helped” their builders into extinction evidently and now they have their sights set on the Federation itself. And, in order to gain his freedom from them, Harry Mudd is only too willing to help. This ep simply must be watched.
3. Captain Christopher Pike, former Captain of the Enterprise:
The captain of the ship in the original pilot, “The Cage”, Pike was also seen in the series itself in the two-part episode, “The Menagerie”. In “The Menagerie”, Mr. Spock, the only regular series character to have appeared in “The Cage” (Majel Barrett, who played Nurse Chapel in the series, also appeared in The Cage but as the coldly logical First Officer known only as Number One), steals the Enterprise in order to take his crippled former captain to the only world in the galaxy where Pike can have a chance at a “normal” life. Jeffrey Hunter played Pike in the pilot but the role was played by Sean Kenney in “The Menagerie”, except for footage from “The Cage”. I’ve always enjoyed reading books with this character; he’s different from Kirk but still close.
2. Mr. Spock, First Officer of the ISS Enterprise:
Ah-ah-ah—this Spock was only shown in one episode. This is the Spock we saw in the greatest of all TOS episodes, “Mirror, Mirror”. The strange thing about this character was that while he was harder and a little more ruthless than “our” Spock, they really were essentially the same character. He truly had no desire to command the ship, preferring, he said, to remain a lesser target (officers moved up in rank by assassination). That was in the episode, but in the book Glass Empires (see my review) we see that he did indeed take “our” universe’s Kirk’s advice and take over as captain before moving on to… well, you really should read it.
1. Romulan Commander/ Sarek, Two very different characters played by the same man:
Told you I could cheat. These two characters were both very important in TOS and they were both played by Mark Lenard. The Romulan Commander—and that really is all he’s called in TOS, although the ST CCG has a card and name for him—is in command of the first Romulan ship we ever see and is the first known Romulan to ever be seen in Federation history. Besides, “Balance of Terror” is one of the best TOS eps ever. Sarek, Spock’s father from the ep “Journey to Babel”, is a pivotal character in this episode but becomes more important in the films, and even in TNG where we eventually see his death. In ST III he explains the concept of the katra—in other words “gave us the back dorr through which Spock could return to the storyline”—and in IV he argues with the Klingon Ambassador before the Federation Council. I just love both of these characters.
Now for the hard part…
5 Least Favorite Characters from TOS:
5. Apollo, The Greek God of Light and Irritating Me (evidently):
Okay, maybe this isn’t Apollo’s fault but this episode, Who Mourns for Adonis? (and the first ST ep I ever saw, btw), is one of the worst ever and someone has to answer for it. Besides, Apollo’s bellowing and bleating while trying to force the crew of the Enterprise to worship him really was nerve-wracking after the first, oh, twenty seconds. But the most annoying thing about the episode for me was how they treated Scotty. The Chief Engineer of the Flagship of the Fleet spent the entire episode whining like a love-sick schoolboy and generally acting like a teenager.
4, Gorgan, The Friendly Angel:
I know I’m giving these characters a number and this one is only fourth on this list, but this may be the single worst character ever conceived for any episode of any series of Star Trek. I still have no idea where the hell he was supposed to have come from. What, was he just hanging around that planet for all eternity hoping someone would come along and live there? I know, I know, they probably said on the ep how he got there but, really, who could sit through more than a minute or two of that crap without running screaming out into streets? Just awful.
3. The Space Hippies:
This, to me, is the single worst ep of TOS: “The Way to Eden”. Yeah, yeah, you can whine to me about “Spock’s Brain” and “Is There in Truth No Beauty”? all you want but TWTE has everything that’s dumb and inane about those eps and that horrible hippie sing-along besides. “Headin’ out to Eden, yeah, brother” <shudder> And watching the crew of the Enterprise snapping their fingers to the beat of this… this… AAAARRRGGGHHHHH! I just hate this episode and I blame the Space Hippies for it!
2. Commissioner Ferris:
This is the clown who wanted Kirk to give up the search for Spock, McCoy and others on the shuttlecraft in “Galileo 7″. What, precisely, was so damned important about him getting to wherever it was he needed to go that it would be acceptable to lose seven (if I remember right) members of the crew—including the First Officer, Chief Engineer and Chief Medical Officer—and a shuttlecraft? Of all the self-important, egotistical jerks! I hated this guy from the moment he opened his mouth.
1. Stiles/ Boma, Two Bigots, No Waiting:
Finally, we have these two, and the reason there are two is that they pretty much perform the same function in two different episodes, that function being to show that as enlightened as Man may have become by the 23rd Century there will still be room for petty bigotry in our hearts. Mr. Stiles comes from a long line of military men, many of whom died in The Romulan War. And when he finds out that Romulans have pointed ears like Vulcans do… well, obviously that means that Mr. Spock is a traitor, a Romulan spy sent to destroy the Enterprise. Kirk, of course, lets him know very quickly how much bigotry the captain will tolerate on his bridge (it’s somewhere in the negative numbers) but that doesn’t keep this clown from making a jackass of himself until Spock risks his life to save Stiles. Then we have Mr. Boma, from the aforementioned “Galileo 7″, who also gives us a study in bigotry as he questions and argues every single decision Spock makes. Later, Diane Duane, in her novel Dreadnought, would show us what happened to Boma after Scotty put him on report for his conduct in this episode: busted out of Starfleet. Couldn’t happen to a nicer guy.
Well, that’s it. I know there will be argument, and there is a lot of room for argument here. I myself could easily change these lists: how did I leave off the Guardian of Forever or Edith Keeler or Redjac from the favorites list, just off the top of my head. But that’s okay—I enjoy talking Trek whenever I can.
Book Review – Science Fiction and Alternate History: A Collection of Short Stories
September 4, 2009 at 8:19 am | In Book Reviews, Sam Christopher | 1 CommentTags: Science Fiction Books
By Sam Christopher
Another entry from the self-published authors that have contacted us, David Scholes lives in Australia and, it says on the back of this book, has published three books and is working on the fourth. Don’t know about the others but this one wasn’t too bad. My only real problem with it is that the stories are mostly too short, and some of them are continuations of others. The book is basically divided into four distinct subjects, any one of which could be explored more fully if put together and connected up. First, we have a world war, led in these stories by the Brits—and the author gives a very good explanation for this in one of the shorts—against an alien race called the Drell. These aliens sound like something akin to the aliens in the film Independence Day. There are only a couple stories of this resistance against the Drell but with the action of those stories and the background given I thought there was plenty of room for fleshing out.
The second section would be headed by the short, “Grey Power”, in which Scholes gives us a world where the only people with true political clout are the over 50 crowd. Here we see teens being put to death for “loitering within fifty meters of an aged persons’ retirement village and playing loud music”—and, mind you, this is a summary execution by the police on the spot. There are other stories set in this world, although they’re even more fragmentary than “Grey Power”. Again, this could all be tied together into a longer story, perhaps even a novel if done correctly.
The third section would be what I refer to as Twilight Zone material. Here we have a pilot in 1956 finding that history is slightly different from that which he remembers, leading to a conclusion in which things go very, very wrong for the world. There’s also a pair of stories starring someone called The Equalizer (and, no, it doesn’t appear to be the guy from the tv show of the 80’s), the first involving a planeload of people who land on an airstrip in a deserted location only to find the place completely deserted and the sky is the wrong color; the second story is just a fragment of a fragment really. Then we have the story of an alien who lands on Earth and uses his powers to aid the mother and daughter who have befriended him. There’s also another story, the longest of the book, concerning a woman trapped in an alternate dimension. Not sure that these should all be woven together into one larger story but it is a thought.
The fourth (and my favorite) section is a series of stories centering on Thor and Odin, two of the chief gods of Norse belief. There is a story of Thor’s return after long absence to the world of men, and one where Odin goes to speak with The One Above All. These characters are obviously based on the Marvel versions of the characters (not completely, mind you), with Thor flying through use of Mjolnir, his hammer, and Odin finding a way to reverse the judgment of the “Celestials” after having found a way to spare all of Earth from the Celestial wrath in the first place. These stories above all could easily be put together with others and made into a longer story.
This was a very short book of 72 pages for 14 stories (an average of just over 5 pp per). Not bad but not great. I enjoyed it mostly, although, again, it would have been a much better book if some of the ideas had been fleshed out more.
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Quick Hits – The Spider #1, Fantastic Four #570, Incredible Hercules #133, Batman and Robin #3, and More
August 31, 2009 at 7:09 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 5 CommentsTags: Batman, Comics, Superman
By Sam Christopher
This was a HUGE week for comics for me.
I’ll begin with the coolest cover of the bunch, as Moonstone’s revival of true pulp fiction continues with The Spider: Judgement Knight #1. “Blood of the Innocent”, a prose story by C.J. Henderson (Penthouse Comix, Moonstone Monsters Volume One) written around fantastic art by J. Anthony Kosar shows Richard Wentworth as The Spider, scourge of New York’s underworld as well as “Master of Men” (and an inspiration, if only for the name, for Stan Lee’s creation of Spiderman), in an adventure that threatens the woman he loves. A madman known only as “The Professor” (and, no, it’s not the friendly guy who made all manner of cool things out of coconuts for the castaways) has made a name for himself in the underworld of NY. The Spider has come to look upon this man as his equal and opposite; both men seem to be brilliant strategists who will do anything, dare anything to attain their ends. The Spider learns that The Professor’s main plan is going to come to fruition tomorrow and where the bad guy’s hideout is. Our hero realizes this is a trap, but given the master plan and what it could mean for not only New York but the entire world he feels he must attack immediately. Little does The Spider know the secret trap The Professor has in store for him. A great story about a great character, even if Wentworth and lady love Nita van Sloan are pretty much just Lamont Cranston and Margo Lane. There’s also a more typical comics story backing up the main feature here. “The Crossroads of Solomon Strang” stars a pulp character named Ghost Zero, who I admit I’ve never heard of. Written and drawn by Dave Flora, this is an okay story that’s really too short to get a handle on the main character. Excellent stuff all the way around.
Next, since I don’t give much love to Marvel we’ll go into two titles that made it out this week. Fantastic Four #570 brings us a new creative team and a new direction (unless you read Alan Moore’s Supreme, or his Captain Britain). Jonathan Hickman (Red Mass for Mars, Dark Reign: Fantastic Four) and Dale Eaglesham (Justice Society of America: Kingdom Come Special, Countdown: Arena) take over the title and begin by giving us more of what we’ve had: Johnny needling Ben, Reed and Sue being domestic and detached, Reed retreating to alternate realities in an attempt to solve all the problems of the world. In this story, this quest of Reed’s leads him to “The Council of Interdimensional Reeds”, which would have been more interesting for me if it had also contained Victor von Doom’s and Bentley Wittman’s—The Wizard, whose latest scheme has led to this ish’s action—as well as Reed doppelgangers from across the multiverse. Apparently, these guys save Earths everywhere from all manner of destruction (having them save Earth-2012 while “our” Reed is standing there was a nice touch—maybe that Galactus was going to eat the Mayan Calendar). Anyway, it’s not that it’s all that bad; I’m just never too sanguine about too much cosmic scope in these things. I would have thought the disaster that was “Doom’s Master” would serve as warning to all.
And, in Incredible Hercules #133, they keep us in suspense as to the travails of Herc and Zeus in order to apprise us as to the status of one Amadeus Cho. Seems AC had lost trust in Athena and the other Olympians but not in the Prince of Power himself. Finding out the circumstances of his parents’ deaths is just something Cho feels he must do alone. Along the way here we get a healthy dose of backstory—which helped me out since I didn’t read any of the “Planet Hulk” storyline (see my review of Skaar: Son of the Hulk for more on that)—for Cho as he takes the bus to his hometown of Excello, Utah, and walks right into—sorry, it’s not gonna be that easy… read it. Another issue, another winner from the talented writing team (and they must be talented as it surely never occurred to me that anyone could make Marvel’s version of Hercules interesting enough to carry an ongoing title) of Fred Van Lente (Action Philosophers, Amazing Fantasy) and Greg Pak (War Machine, Warlock), with some outstanding Rodney Buchemi (Marvel Adventures: Avengers, Incredible Hulk) art.
In our “World’s Finest” section:
In Batman and Robin #3, we find that Dick’s methods of interrogation appear to irritate Commissioner Gordon; of course, what Dick does here seems rather Batman-like to me. Maybe Gordon’s still a little on edge from Damian’s interrogation methods (baseball bats and metal buckets). And speaking of Robin, he awakes in Pyg’s HQ (the Pyg Sty?) only to find himself about to be added to the ranks of Pyg’s surgically-enhanced followers. The girl we met at the end of the first ish, Sasha, returns here and looks to be lining up for duty as someone else’s “Robin”. Looks good. “Very, very good,” as Wooderson would say (sorry, just watched Dazed and Confused again). Grant Morrison (The Invisibles, Vampirella) and Frank Quitely (Bite Club, We3) just keep this title rolling along as the best Batman-centric Batman: Reborn title, it’s strongest competition among all the B: R titles being Gotham City Sirens, which followed up a stellar first ish with a rather ordinary second.
And then there’s Gotham City Sirens #3, which brings the whimsy back—and that’s saying a lot for a story about a serial killer—while the Sirens themselves take the issue off. Harley, of course, was kidnapped by Hush at the end of #2, and Catwoman and Poison Ivy spent a couple panels this ish talking with Ed Nigma, former Riddler, to establish they were looking for Quinn before leaving the story to the reformed Nigma and Batman as the two men use similar methods to track the same murderer. Another excellent chapter in the Batman: Reborn saga, with writer Scott Lobdell (Buffy the Vampire Slayer, Nick Fury: Agent of Shield) doing a marvelous job with the very eccentric Nigma and Guillem March (Oracle: The Cure, Power Girl) handling the artwork in fine fashion.
Thirdly in our Dark Knight portion of this “team-up” we have Detective Comics #856, where Kate’s story gets into high gear as the hybrid “true believers” help Batwoman’s father save her from Alice and reveal the new Queen of Crime’s ultimate plan to Kate. On a more elegant note, Kate’s father talks her into attending the GCPD Annual Charity Ball—he thought she could use a night off from crimefighting. Kate embarrasses her step-mother, ignores her cousin, dances with Maggie Sawyer (transferred from Supes to Bats, was head of SCU in Metropolis and now heads Major Crimes in Gotham City—she’s Chief Brenda Lee Johnson from The Closer on a different coast), and gets very scared by the end of the story—with good reason. Another gem from Greg Rucka (52, Elektra) and J. H. Williams III (Promethea, Inhumans). The Question Second Feature is not as good. Not awful, just don’t understand the rationale. A guy is ordered to kill her and he’s going to make no pretense that it’s an accident. He injects her with a knockout drug, ties her up, and puts her in the trunk of a car he then pushes into (probably) the bay. Why not just give her an immediately fatal dosage? Anyway, Rucka’s overall story is all right—just nothing great—and Cully Hamner’s (Blue Beetle, Red) art is good, too.
And our final Batman title is the out-of-continuity toon-inspired Batman: The Brave and the Bold #8, which continued the Global Guardian theme and took the Dark Knight to Tibet to track down the Yeti. Meh. Kind of a lame story with a few good moments and a fairly heavy-handed ending.
Okay, okay, Superman #691 is bringing us closer to my total loss of patience with this storyline. I can accept that a lot of people will buy into Supergirl attacking Mon-El in order to further the aims of New Krypton—of course, that’s without my questioning why over one hundred thousand “Supermen” need to resort to the subterfuge of destroying Metropolis’ water supply, or why they would do so pretty much completely in the open, or what’s the point in destroying that water supply in the first place. I can even—maybe—accept the world thinking a Kryptonian rogue like Ral-Dar attempting to assassinate the US President. What I find impossible to believe is the world’s populace believing that Superman, who has saved the planet on countless occasions, was aiding in any assassination attempt of anyone. And that’s without seeing anything. But there have to be cameras on-site not controlled by the military, cameras that would have shown Superman stopping Ral-Dar not helping him. And microphones, mics that could have picked up the conversation between Superman and Gen. Lane. But even without any of that, I just don’t believe anyone on this planet would take the word of a general involved in secret government black ops programs over the single greatest hero the Earth has ever known. The general and his cohorts, like Morgan Edge, just don’t have the credibility to stand against Supes. Especially after Mon-El, who despite all reports is not dead, comes to tell the truth about what happened in the sewer. Gen. Lane is beginning to look more and more like DC’s answer to Norman Osborne. And that is not a good thing.
And there was also the Superman’s Pal, Jimmy Olsen Special #2, which followed our intrepid reporter as he tried to find out more about Project 7734 (get it? upside down and backwards?) and does learn a lot from a very unlikely source. Two unlikely sources, actually. Unfortunately, this didn’t help my impression of this storyline. A pretty good story until put into context with the rest of this increasingly unruly mess. And when you see the ending, the first thing you’ll think is, “okay, why didn’t this happen earlier in the story, at the guy’s house?” because that’s precisely where it should have happened.
Moving on to other members of the Justice League, first we finally have Flash: Rebirth #4, and in this ish Eobard explains it all. Seems there’s a negative side to the Speed Force, and Eobard Thawne, the Reverse Flash, actually creates it and causes it to spread by running. Also, according to Thawne as well as all the evidence the talented team of Geoff Johns (Green Lantern, Adventure Comics) and Ethan van Sciver (Impulse, Claw the Unconquered) show us here, unlike all the other speedsters in the DCU Barry Allen doesn’t tap into the “positive” Speed Force, he creates it. I don’t think I buy any of that. It’s a good story but makes no sense given all we’ve seen in the past. I do like this tale, and this issue does give us the return of a certain mentor of Bart Allen’s (and not with a Black Ring on), but I just don’t think this whole system of Barry making Speed Force while Eobard Thawne makes “Reverse Speed Force”, and whoever runs the longest wins, can hold out against other writers’ takes on this thing. But, then, I didn’t think all that Parallax nonsense in GL would last and look where we are.
And speaking of the Green Lantern, GL #45 answers the question of where that humongous, planet-sized Black Ring was headed—and the answer’s not to John Stewart’s liking. Meanwhile, on Zamaron, the Star Sapphires are battling with Sinestro’s half of the Sinestro Corps—Mongul controls the other half—hoping to remove the GLC’s greatest enemy by introducing Love to the Soldiers of Fear. Here we find that Carol Ferris is seen as a great leader for the Sapphires by the Zamarons because she won’t allow the ring to guide her. Meanwhile, on Odym, the Blue Lanterns battle to defend themselves and their Power Battery from the orange gang of thieves sent by Larfleeze while Black Rings hover around the planet waiting for someone to die. Meanwhile, on Okaara—and I know there are a lot of “meanwhiles” here but this ish was entirely vignettes and I’ve actually spared you a couple—the Black Rings infiltrate. And you do know the entire “Orange Lantern Corps” is made of constructs of beings Larfleeze has murdered and collected in his lair. Redrum.
Finally, and since we’ve brooched the comics event of the steaming Summer about to fade into the glorious Autumn, we have Blackest Night: Titans #1. No team in the DCU has been hit as hard by death as the Teen Titans, even with the returns of Superboy and Impulse (both of which puzzle me; with all this going on I’m wondering if the “returned” heroes might not end up as some sort of bridge between the living and the dead). This issue shows the return of Tara (which you’ll get from the cover) and of Hank Hall, the original Hawk who died rather than become Monarch (for those who didn’t read the “Armageddon: 2001” annual series), as automatons of the Black Rings. The Rings also try and raise Don Hall, the original Dove, but he is said to be “at peace” and either wouldn’t or couldn’t be raised (which gives me another thought: I wonder if those who are “at peace” may not eventually rise anyway to help their friends against the Black Lanterns). And the ending of this ish is… WOW! And it could stand. A good opener by J. T. Krul (Soulfire, Titans) and Ed Benes (Gen13, Birds of Prey).
Other comics:
Buck Rogers #3- Buck and Wilma get closer in the future, even as his funeral takes place in the present.
Final Crisis Aftermath: Ink #4- mark makes a pact with Samurai as Liberty Hill burns. And we find out the cause of all this. Maybe. There are still two issues left.
Justice Society of America #30- The team recovers enough to capture a few of the villains—with the help of the big stuffed “watchbear” Jay Garrick borrows from Fred Sanford’s window—and return to the Brownstone to find Mr. Terrific near death. The seeds of Magog leaving to go into his own solo series are further sown here as well.
The Last Days of Animal Man #4- Prizmatik and Bloodrage attack the league of Titans tower and do something at the end I find unfathomable. Buddy, meanwhile, takes a beating but keeps retreating, saving Starfire in the process from not only the aforementioned villains but also that old man who was making a pass at her—oh, wait, that was him. And then he takes her to the last place you’d expect but also the most logical place he could.
Red Sonja #47- As we continue the slow march to #50, Sonja decides to aid some slaves she finds on the trek north to the Blood Dynasty. She finds her sister, who betrayed the family to Lucan Martur and then was sold into slavery (along with her and Martur’s baby daughter), and, well… let’s just say that understanding isn’t one of Sonja’s strong suits.
Sherlock Holmes #4- Continuing this great mystery with a mysterious stranger, a found letter, and the recapture of the world’s greatest detective.
Son of Hulk #14- Dunno. I liked this new direction at first, and it is still interesting, but I’m not as sure of it anymore.
The Unknown #4- This mini winds up with an interesting non-answer to the current mystery and an interesting prologue to the next.
Wonder Woman #35- WW and Black Canary finish up in Tokyo but not before Diana is forced to make amends to one she (sort of) wronged. And the ending was a real, real shock.
Previous Column:
Aug 23 – Viking, Batgirl, Batman: Streets of Gotham, and More
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Book Review – Voyages of Imagination: The Star Trek Fiction Companion
August 28, 2009 at 6:30 am | In Book Reviews, Sam Christopher, Star Trek | Leave a CommentTags: Star Trek
(Part of our ongoing series covering all aspects of the Star Trek franchise)
By Sam Christopher
Rating: 5 out of 5 Stars (Highest Rating)
In 1966, Gene Roddenberry’s singular vision of a (mostly) peaceful, (mostly) optimistic future for the human race hit the airwaves and began stoking the fires of imagination for coming generations of writers and sf fans. The show has been credited with helping many to aspire to their dreams, with the characters of Mr. Spock, Montgomery Scott, and Lt. Uhura (she had no first name on the show) most often cited as inspirations, and the half-Vulcan Spock having the widest appeal among the masses. A need was seen almost immediately for novelizations of episodes—and by “need” I mean an opportunity for profit—and a series of books by the well-regarded sf author James Blish began hitting the stores in January of ’67. These proved very popular, as did Blish’s original novel Spock Must Die, which was released in 1970. A few years later, though, came the real springboard for what was to follow, when Sondra Marshak and Myrna Culbreath edited, at the behest of GR himself, an anthology of original Star Trek fiction by fans of the show called Star Trek: The New Voyages. The success of this book—along with the momentum of the entire Trek phenomenon—showed the amazing versatility and depth of thought this cancelled show could inspire in its devotees. This realization of profit potential by publishers has led to the publication of nearly 600 works of prose fiction since, and Voyages of Imagination, edited by Jeff Ayers, is a compilation of these titles along with interviews from many of the authors.
The first thing that intrigued me was how many of the authors who use just their initials are women. I remember reading about how Dorothy Fontana was DC Fontana for the credits on the tv show because of some prejudice against women by tv execs (note: I have never heard or read Ms. Fontana herself say that, just people around the show at the time) but I never thought of it in terms of prose publishing. But here we have JA Lawrence (James Blish’s wife Judith Ann with her maiden name), MS (Melinda) Murdock, JM (Jeanne) Dillard, AC (Ann) Crispin, VE (Vicki) Mitchell, to name a few. But I think the best use of initials—at least the most interesting to me—is LA Graf. This started out as four authors from a writers group getting together to do one ST novel. This group was pared to three by the time that novel (Ice Trap) was published, and further reduced when one of the remaining three (Melissa Crandall, who would author Shell Game on her own) moved away. The last two, Karen Rose Cercone and Julia Ecklar, have gone on to publish several works in different aspects of the STU. The name LA Graf comes from the name of their writers group, which was Let’s All Get Rich And Famous. Not to say that no woman uses her full name as author in Trek, just that the use of initials in lieu of a first name is virtually a completely female phenomenon that I never noticed before reading this book. I’m sure there are valid reasons for this—maybe there’s a little known psychological thing where women just like using initials more than men (and maybe there’s not)—but I found it interesting.
Beyond that, I really cannot do this work justice by covering even a smattering of it in this column. Mr. Ayers has done Trekkies everywhere an immense favor by compiling this list of books and interviewing as many of these authors as he could find and convince to talk to him—which is most of them. You have to remember that virtually all of the Trek writers were Trek fans first. The vast majority of them watched the shows in either first run or in the early waves of syndication, when despite the limited channels available Trek could be seen at least once a day every day. When these authors talk about the show, they are reminiscing about something they love. On the other hand, some of the authors’ comments, and lack of same, has me wondering. Ann Crispin, when asked about any future Trek projects, stated flatly that she would not be doing any. This could just mean she has enough going on in her own original fiction that she doesn’t have time to play in Roddenberry’s universe anymore—and I try not to read too much into things in print like this. But Vonda N. McIntyre, a great sf writer who handled the novelizations for ST II through ST IV and gave Sulu his canonical (is that really a word?) first name of Hikaru and about whom it is said that writing ST was a lifelong dream come true, refused to comment for the book at all. Again, this could just mean she was busy and didn’t have the time but I thought it strange. I have read a few interviews with Ms. McIntyre and she seems to be none too thrilled with the whole publishing community, so maybe that has something to do with it.
So, when you read this book, you’re probably going to think, “What the h-e-double-hockey-sticks kinda review was that?!?” Like I said, no matter what tack I took on this one it was going to be leaving out so much as to render what I wrote almost useless in conveying the true value of the book. All I can say is, if you’re a Trekkie like me you’ll love it and find it an invaluable resource for finding out about books you haven’t read, as well as communing (in a way) with other Trekkies through the authors comments. And if you’re not a Trekkie—well, you should be.
Buy Voyages of Imagination: The Star Trek Fiction Companion from Amazon.com
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Quick Hits – Viking, Batgirl, Batman: Streets of Gotham, and More
August 23, 2009 at 7:10 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 1 CommentTags: Batman, Comics
By Sam Christopher
Comics Mini-Review: Viking #1-3
Rating: 3 ½ out of 5 Stars
This is the story of Egil and Finn, two thieves who happen to be brothers, intertwined with the story of Aki and Gylfi, the Tax Collector to King Bram and his assistant (or supervisor if you ask the king). The king’s daughter, Annikki, looks to be the catalyst for drawing the two stories together. We meet Egil and Finn as they are “plying their trade” and see that they are ruthless killers when crossed—and even when not, really. Their grandfather, we learn, believes Egil to be the worst of the worst, the old man at one point telling Egil, “If I had known what you would be… I would have killed your father in the moment of his birth”. The two brothers seem to be based on Seth and Richie Grecko, the George Clooney/Quentin Tarantino duo in From Dusk til Dawn. King Bram the Quiet lives in a place he doesn’t care for with the memory of a dead wife and the little girl who reminds him. He knows how to be a king, knows how to rule others, how to command their respect. At one point he tells his bumbling, fumbling, stumbling Tax Collector, “Be a man, Aki. Not what you think I want a man to be”. Gylfi is a good friend to Aki, attempting to cover up his incompetence and even warning him of the king’s intent when appropriate. These two are kind of like Hong Kong Phooey and Spot the Cat in Hong Kong Phooey. This is a cool setup and a very good series thus far. Ivan Brandon (Final Crisis Aftermath: Escape, Grounded) has captured the Northern voice, and Nic Klein’s (New Warriors, Olympus) art is perfect for this series (which just goes to show what I always say about art fitting a story, considering how much I hated his work on Olympus). My only complaint with the series thus far is them printing it Golden Age Size.
Short week for comics—for me anyway…
Batgirl #1 hit the streets this past Wednesday and it’s not who I thought it would be. After the events of Battle for the Cowl: Oracle: The Cure, I thought the new Batgirl—as DC had already announced the title– would be the old Batgirl, with Barbara Gordon using the piece of the Anti-Life Equation Calculator had worked out in order to cure her own paralysis. (Yes, I know they said it didn’t work but in comics these things only don’t work until a writer needs them to work for whatever he’s planning to do with the character). Here, though, we see Babs still in the wheelchair, but her anger and seeming absolute belief her paralysis will never change may be a hint that it will. For right now, and into the foreseeable future, I guess, we have the erstwhile Spoiler as Batgirl and Steph is doing her usual half-competent job. In all fairness to her, though, she kind of has all the problems of the ‘70s Spiderman with none of the powers. Or the fan base. But, with Dick, Damian, and Barbara looking over her shoulder, and with meaningful appearances and threads headed by Commissioner Gordon, Leslie Thompkins, and Gotham PD’s newest transfer-in Detective Gage, this book shapes up as a Batman Family, Birds of Prey-tinged fun-fest. No word yet on when the whole Tim Drake soap opera with Stephanie will resume. “Batgirl Rising” Part One is a product of Bryan Q. Miller (Teen Titans) with excellent artwork by Lee Garbett (Outsiders, Midnighter).
And then there’s Batman: Streets of Gotham #3, where Hush—Thomas Elliott, who has been surgically altered to be Bruce Wayne’s look-alike—has apparently come up with the perfect plan. He’ll pretend to be the missing socialite (no one knows that BW is dead, because the Bat-Family realizes the writers will eventually bring him back to life so they don’t want everyone to know Bats and Bruce are one and the same), give away billions of dollars to “stimulate” the economy of Gotham while siphoning off millions here and there in order to fund whatever nefarious scheme he has lurking in the dark recesses of that brilliant but twisted brain of his, and Dick and Damian can’t expose him without embarrassing questions about their own private lives being asked. Of course, Dick proves why he’s the Batman by coming up with a solution to this problem which is a doozy, although Damian’s far simpler solution of just killing Elliott would have probably worked better. And the subplot of Penguin, Black Mask and Victor Zsasz takes a new direction. All this from the talented duo of Paul Dini (Madame Mirage, Gotham City Sirens) and Dustin Nguyen (Batman, Jet). The Manhunter Second Feature chap was halfway decent, with Marc Andreyko’s (Manhunter, Black Sun) story continuing to be very good but Georges Jeanty’s (Buffy the Vampire Slayer, Weapon X) art really falling down (there are two inkers, so maybe that had something to do with it). Spotty, I think, is the right word. There are pages where the art is what we’ve come to expect from the talented Jeanty… and then there’s Huntress. Also in this ish, there’s a preview of the Superman: Secret Origins mini. I still like Clark’s Harry Potter look but I’m not as thrilled with Lex Luthor’s Professor Moriarty impression. And, uh, Lana being sucked up into a tornado and Clark flying, probably for the first time, under the stress of trying to save her is a really innovative touch. Or at least it was eight years ago when they did it at the end of the first season of Smallville. I didn’t think very much of Birthright and this doesn’t look much better.
Other comics:
Blackest Night: Superman #1- Have to give it to the Big Red “S”: he saw it right off, realized it immediately. A couple more “DC Zombies” rise in this one. I am wondering where the most obvious one for this title is, though.
The Brave and the Bold #26- Spectre and Xombi. Meh.
Justice League of America #36- Okay, so maybe they’ve come up with a way to make the Royal Flush Gang a little tougher. I still have a hard time believing any of the RFG teams—or even all of them together at the same time—could take out Wonder Woman, much less the whole JLA.
The Mighty Avengers #28- Not thrilled with the whole “The Unspoken” storyline, and I’m becoming less and less “enchanted” with Loki being disguised as The Scarlet Witch, although the silencer spell that hearkened back to Strange Tales #115’s Origin of Dr. Strange was cool.
Power Girl #4- Dunno. I really like this character and this was all right as a transition issue but the book kinda feels like it’s already running out of steam. Could be wrong. Hopefully.
Star Trek: Spock: Reflections #1- Not great but soooooooooooo much better than “Nero”.
Supergirl #44- Not, uh, not that great. I was really looking forward to this whole storyline when it started. Now, not so much.
Superman Annual #14- Very good history for Daxam in general and Mon-El in particular. A couple things were kind of lame, and I am wondering why the original Daxamite that came here didn’t get the lead poisoning but all in all a fun story.
Vigilante #9- Vig takes down Tobias Whale and heads off to Gotham, which means the Penguin will be in Vig’s sights next. And I have no doubt that we’ll get to see a few Bat-folk along the way, too.
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August 15th – Star Trek: Nero #1, Action #880, Adventure #1, and More
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Book Review – A Diary of Wasted Years
August 20, 2009 at 6:30 am | In Book Reviews, Sam Christopher | 1 CommentBy Sam Christopher
Another book by a new author who advertised in our Comments Section, A Diary of Wasted Years by Chris Kape is more in the line of psychological thriller with a twist of the supernatural thrown in for good measure. The author says he is an aspiring plastic surgeon and has been studying medicine for years while moving from country to country around the world and living what he describes as “a hard life” in which the nature of his work (as a medical professional) has led him to some pretty horrific scenes. This work and these scenes, he says, have informed and aided his writing, and in this book I can see where that would be true.
The story follows Eugene Forbes from early childhood to his rise as an underworld assassin to his promotion into other parts of “the rackets”. The product of a very dysfunctional family in which he saw his mother as a cowardly doormat for allowing his father all manner of infidelities and indiscretions, Eugene was small for his age and fairly intelligent as well, otherwise known as A Target. Picked on by older kids, and even by the bigger boys in his own class, Eugene became introverted, keeping his thoughts and emotions mainly to himself. Except for the times when he allowed his mouth to get him into trouble. And he did have friends, mainly two brothers, Andy and Nathan Simmons, who moved across town, too far to go to Eugene’s school but not too far for him to go see. The three boys eventually share the dream of making it big in organized crime, with the more cerebral Andy wanting to utilize his aptitude for chemistry in order to design the ultimate drug to enslave the world and Nathan wanting to follow the footsteps of Eugene into the more physical aspect of the business. Eugene will come to understand everything behind the business as it threatens to consume him.
Now, this book is a little more polished than was Long Journey to Rneadal (see prior review); as the author of this work explains in the foreword, he has shown it to and received criticism from various professional writers, taking their words to heart and revising his narrative accordingly. Also, this book is more stream-of-consciousness, and with a more down-to-earth subject matter (mostly), which makes it a little more accessible to most readers, I would think. The characters are fairly well-fleshed out and realistic, especially Eugene and even his mother Mary, who has far less “stage” time. One bad thing is that English almost seems to be a second language for the author, as he occasionally uses a word that’s “sort of close” to being the right word but isn’t. But that’s nothing awful and it’s never so far off as to render the sentence incomprehensible, although the dialogue can ring hollow in the reader’s ear. Also, sometimes he tells us things two or three times, so that the reader sometimes just skims through a couple pages—sometimes more—because the information has already been imparted.
The one really bad thing about the novel, and this may have been a conscious decision on the author’s part that just didn’t work for me, is that the big events—scenes this reader certainly would think are pivotal—are often skirted over too quickly, while in other places the reader is drowned in minutiae. We’ll read through three pages of someone ordering coffee, or of Eugene fighting with his parents for the umpteenth time, while an important turning point in the plot—a life-changing thing for Eugene—will get less than a page. Sometimes it seems that the entire point of the story is to catalogue human degradation—albeit with a fairly light hand—rather than to show the story of Eugene and his cohorts. There were simply times when this book committed the unpardonable sin of being boring. Again, this may have been an experimental thing on the part of the author but it just seemed to me that maybe the story should have been shorter so as to give more impact to the bigger events in the plot.
A Diary of Wasted Years is not a bad novel. It is mostly well-written with an eye toward detail and characterization. It does have its problems and those are mostly, I think, a product of the reader being given too much of the wrong kind of information and not enough attention being paid to what I thought was the meat of the story and really could be easily fixed with some solid editing.
Revisiting the Movies – Star Trek: Nemesis
August 19, 2009 at 6:46 am | In Movie Reviews, Sam Christopher, Star Trek | 2 CommentsTags: Star Trek
(Part of our ongoing series covering all aspects of the Star Trek franchise)
By Sam Christopher
Rating: 2 out of 5 Stars (Give Your Rating)
This film, the last to star the crew of the Enterprise-E, was released in 2002. The product of screenwriter John Logan (from an idea conceived jointly with producer Rick Berman) and director Stuart Baird, neither of whom had any history with Trek, ST: Nemesis, this is the only film in the franchise not to open at #1 in the US box office and very nearly lost money, earning only about $67 Million worldwide on a budget of about $60 Million. Jonathan Frakes, who had directed the two previous installments as well as played Will Riker with this cast for the entire run of the teleseries and through the films, wasn’t asked to direct this one, and has said he would have and that the film would have benefited from his direction over Baird’s. Hard to argue given the result.
The story: The Romulan Senate is slaughtered and the Enterprise-E discovers a ridiculously named Data-type android, B-4, on a desert planet near the Romulan Neutral Zone. The ship is also ordered (by Admiral Kathryn Janeway, no less, in the best cameo the film could really have) on a diplomatic mission to Romulus where they find the new Praetor Shinzon is actually a clone of Picard raised on Remus. Then a bunch of stuff happens and Riker and Troi finally get married (I guess they had to wait for Worf’s gnaw marks on her to heal). Riker also finally accepts a promotion. Oh, yeah, and someone very important dies. Sort of.
Believe me, I understand the above is a short rehash but… this film really irritates me. I didn’t get to see it at the theater because it only lasted a couple of weeks locally, and then only a week at the dollar theater. I finally rented it and didn’t think it was all that bad. But that’s because I tend to view Trek with blinders on, at least at first. This was the last film with the Next Gen crew, very likely the last time we would ever see them all together, and I knew that going in. So when I watched it—well, to misquote another sf franchise I don’t really care for—I wanted to believe! I wanted it to be good, so I willed myself not to see the flaws that I would never allow in another film. Picard’s clone runs Romulus?!? How many Trek writers—or even 15-year-olds—do you think could come up with a better plot device than that? Dorothy Fontana, Tracy Torme, Ann Crispin, Diane Duane, Peter David—any of these and a few hundred other people I could name would have come up with a better story than what we got here. Too bad Edward D. Wood Jr. wasn’t available! B-frakkin’-4?!? Come on!
Funny thing here is that I always say the first film, The Motionless Picture, is my least favorite of the films but I really think after seeing this one again that’s more a function of my not thinking much about that film for so much longer than this one. In other words, it’s not that I like this one better, it’s just that it hasn’t stuck in my craw as long, the wasted opportunity they had here. This could have been a great film. The Romulans are an interesting race that still hasn’t been explored to their fullest in the films and various series. The Klingons became the most interesting race in Trek with the advent of The Next Generation and Worf as a crewmember. The Romulans could easily have supplanted the Klingons if only this film and the teleseries Enterprise (which featured the Romulans more extensively than any other ST series, despite the fact that the regular cast could never see one) had been handled better. But, in this film, instead of Romulan subversion and cunning we get a human’s clone conquering them in minutes.
But the worst thing this film did was end the franchise in such a way that no one (other than we hardcore Trekkies) would really miss it. Roger Ebert said that while watching it he realized that “Star Trek was over for me”—I doubt he would have said that if the story had been worth watching. All anyone I ever talk to seems to remember is Data’s Superman impersonation—they rarely even remember why it happened, what was going on, what it led to. I’ve never been a fan of handing the franchise over to people who don’t know it and this film is certainly a reinforcement of that thought process. Frakes has said that if he had been in charge of the film it would have done better at the box office and, as I said in the first paragraph, it’s hard to argue with that. Not saying that knowledge of Trek without knowledge of storytelling is good but there are many people (some of whom I mentioned above) who have an abundance of both and I see nothing wrong with making an effort to hire them before someone with no investment in this storied franchise.
Give your rating of Star Trek: First Contact and the movies that preceded it
Quick Hits – Star Trek: Nero #1, Action #880, Adventure #1, and More
August 15, 2009 at 6:56 am | In Comic Book Reviews, Quick Hits, Sam Christopher | 3 CommentsTags: Batman, Comics, Star Trek, Superman
By Sam Christopher
Star Trek: Nero #1 came out this week and I… well. “From the same creative team that brought you Star Trek: Countdown” screams the cover and inside we find the same inane mess that series was. I, like a lot of Trekkies, bought the entire Countdown series and I’m sure that, after the release of the film, the trade paperback sold very well, too. But the series was still a poorly written, ridiculous mess. The fans I know read Ambassador Spock’s opening line to the Romulan Senate and just roll their eyes. That line from a diplomat is just too ridiculous to be believable. And the first ish of this new series starts us out on nearly equal footing, when Ayel tells Nero the USS Kelvin “engaged the warp drive at the point of impact”. I saw the film three times. George Kirk was on the bridge and everyone else alive was in an escape pod. So now they’re asking us to believe that Kirk repaired the warp drive… from the bridge… while talking to his wife and newborn son?!? I don’t mind someone trying something creative that just doesn’t work out (the film Tank Girl is a good example of that, although it does retain a cultish charm) but I don’t appreciate at all having my intelligence insulted time and again. Oh, and having the Klingons show up and drag everyone on the Narada off to Rura Penthe didn’t impress me, either; a life sentence there might be more terrifying if they’d take down those revolving doors and put up some bars (I mean, really, have we ever seen anyone be sent there who didn’t escape in, like, twenty minutes?). And while I can see how this might tie into the Narada being in a firefight with Klingons just before the Federation armada was dispatched to Vulcan in the film, I see no way the Klingons having access to the Narada for any length of time doesn’t give them the advanced weaponry necessary to conquer the entire Alpha Quadrant in the time period set forth here and in the film. I also don’t think Kor should look like that in the time period shown; I thought he should look like the TOS version of Klingons in this time. The simple fact is that, as thrilled as I was with the new film, and despite the fact that I basically liked it, I find myself more and more disenchanted with the direction of the whole thing. I’ve read over and over about the knowledge of and respect for Trek this writing team is supposed to have and yet I can’t find any of it in their work. From the “Romulans are closely related to Vulcans” thing in the film to the “Friends, Romulans…” Spock speech and even to the fact that the Romulan “Nero” speaks and acts like a very two-dimensional cartoon villain written as human most of the time, I see far too much Star Wars in my Star Trek of late. If you’re a fan of SW (I’m not) that’s fine, if you’re a fan of both franchises (as many of my friends are) that’s fine, but the two are entirely separate and disparate universes and should be treated as such.
And, since I’m in the complaining mood (not really but the books this week tend to make me pessimistic), let’s continue with Action Comics #880. Hate to say this but I really don’t think the writers have an endgame in mind for this current “New Krypton” storyline, and we all know how well that bodes—ask anyone who watches, or watched, Lost. Back in the ‘90s all the Superman writers, artists and editorial staff would get together and come up with an overarching storyline that would carry all the “S” titles through the next year or so, and I don’t know for sure but I’d think they always had an end in mind (beyond the obvious, “Superman wins”). I could be wrong about this, of course, and I like some of the elements of the story so far, but it seems we’re on a treadmill. An endless, meandering, sometimes interesting treadmill. It could just be the story’s in a “lull” phase, though, and everything will work out fine. Another prob for me, though, is General Lane, who is seeming more and more like Norman Osborne to me, and anyone who reads this column knows how much I loooooove Norm. Oh, and the Captain Atom second feature is still too new to tell about really, although it does look interesting.
And staying in the realm of the Kryptonians—well, partially Kryptonian, anyway—we come to Adventure Comics #1. After the events of Final Crisis: Legion of Three Worlds, Connor Kent is back among the living and staying on the farm with Ma Kent in Smallville. He plays fetch with Krypto, enrolled in Smallville High, destroys his own memorial statue (and may have destroyed Impulse’s, too, they didn’t make that clear—but Bart wanted him to), and saves a cute blonde girl from drowning. Well, okay, so Krypto really saved her. But Superboy was there to… um… supervise. We also get the obligatory “mysterious villain” bit before the story wraps up with two Supers—man and boy—talking things over in Lex Luthor’s old house before it’s revealed that… but that would be telling. The story was fine—Geoff Johns (JSA, Green Lantern) will do that for you—and the art was all right—Francis Manapul (Iron and the Maiden, Red Robin)—but the visit to Lex’s house only served to remind me of the one thing about this incarnation of Superboy I’ve hated since they introduced it. It’s bad enough he’s a clone but to have him be a gene splice of Superman and Lex Luthor? I’ve always thought that was stupid, maybe not “Ben Reilly is the real one” stupid but pretty stupid. The LSH backup story, also written by Johns, this time supported by Clayton Henry (Fantastic Five, Agents of Atlas) art, was all right. Have to say, though, that the “Starman from the future is losing his mind” thing is wearing thinner and thinner all the time.
One last thing on the Super side. DC is coming out with a Superman: Secret Origin title, which will evidently chronicle the early years of the Man of Steel again. There was a preview of it in some title this week but I just flipped through it. Just wanted to give the heads up to all the Harry Potter fans, because young Clark Kent in this series looks exactly like a comic book version of HP (which makes me wonder why there hasn’t been a licensed Harry Potter comic, now that I think of it). Just thought it was interesting.
The Blackest Night event brought us three titles this week, starting with Blackest Night #2, in which the story of “DC Zombies” continues as Flash and GL work out a way to slow J’onn down. And that’s after an ominous opening in which Ray Palmer talks with Carter Hall over the phone. Meanwhile, Mera and Garth go to Aquaman’s grave only to find… well, I think that’s pretty obvious, don’t you? Not sure what’s happening with the Spectre but I am wondering what happens with Boston Brand’s corpse. The body comes back but we see Deadman. Just not sure if the black ring draws the spirit back into the body (read more about this in the next paragraph, under Blackest Night: Batman). One thing’s sure: there has to be a controlling intelligence outside the resurrected themselves. It’s what I think, anyway. Another great installment from the busy busy busy Geoff Johns, with fantastic “dark art” supplied by Ivan Reis (Ghost, Rann-Thanagar War).
Funny we should mention Deadman above, as he figures prominently in Blackest Night: Batman #1. Here we find out from Peter J. Tomasi (The Mighty, Hitman) and Ardian Syaf (CE Murphy’s Take a Chance, DC Challenge) exactly what’s going on with the kooky spook. Seems the Black Lantern ring resurrected Boston Brand’s body but couldn’t assimilate—or apparently even take notice of—the Deadman spirit. But DM does glean the plans of the Black Lanterns and sets off to find someone he knows, someone he can trust. And who does Deadman know better or trust more than Batman? Or, at least, that’s what he thinks until he gets there and finds that Bruce Wayne is no longer Batman. He does give Dick and Damian a heads up, though, just in time for the black rings to find the remains of the Flying Graysons and Jack and Janet Drake. And the last panel, the last page, is a chilling scene of portent, much more frightening than any zombie banquet scene could have been.
And in the Blackest Night crossover Green Lantern Corps #39 Kyle and Guy have a nice, pleasant heart-to-heart talk on their way back to Oa. Well, Guy munches donuts while Kyle whines about his love life, mostly about his dead gf, Jade (uh-oh, maybe a little foreshadowing?). Then they run into some other GLs also headed for Oa and form a Convoy (Guy, of course, is Rubber Duck). Oh, and then they’re run off the “road” by a herd of black rings all headed for Oa. Meanwhile, Arisia learns that power doesn’t change Daxamites and Mongul sets up housekeeping on Korugar. And, remember what I said about Jade? The black rings make it to the GL Memorial on OA, so you should be able to guess how this installment ends. Tomasi’s words mesh well with competent art by Patrick Gleason (Aquaman, H-E-R-O).
In Booster Gold #23 we have the third part of the current story. The Teen Titans, and more importantly Robin, have been killed so there will be no new Bats when Bruce dies (not that I believe there would be no new Batman; remember Battle for the Cowl? It would have made more sense here if the timeline was screwed up because someone like Jason Todd had become the new Caped Crusader). All of this means the JLA can’t defeat Trigon later. How having virtually everyone on Earth slaughtered fits into the Black Beetle’s plan is anyone’s guess (unless he’s actually some kind of stooge for whatever’s behind Blackest Night) but I guess we’ll see. This title still feels like a great idea they’ve lost the handle on. All the time travel and back and forth sounds like fun and can be cool in spurts but having virtually every story never having happened by the end can be wearing. And the lame Blue Beetle Second Feature isn’t helping.
And for our Main Marvel Mention of the week: Incredible Hercules #132. Signaling a change in the status quo, Zeus has now been altered in a most fundamental fashion: he has gone from being an insufferably arrogant skirt chaser who can control the weather to being an insufferably arrogant skirt chaser who can control the weather who looks like a little kid. I guess they did this to make up for the departure of Amadeus—maybe Pak and Van Lente just think a child plays well of their immature and now terribly bright Hercules. This new adventure starts with Athena leaping out to battle the harpies sent by Hera to kill the child-king of the gods. She orders Herc to hide Zeus with… well, it doesn’t matter because Balder the Brave comes to ask Hercules to stand in for Thor, who has been banished from Asgard for killing his grandfather (Herc, of course, points out that Olympian males constantly kill their fathers, a fact that young Zeus does not find amusing). So the Prince of Power and his dad go off to help their northern neighbors, with Herc being glammed to look like Thor. Of course, there is something they don’t know. And I won’t tell you because you really should be reading this title by now.
Other comics:
Angel: Only Human #1- Illyria and the recently rehumanized Gunn receive a call from Fred’s parents that Fred’s uncle has died. Illyria and Gunn go to Fred’s parents’ house. Illyria and Gunn find a bunch of hiding demons. But there’s more to it than that. Scott Lobdell (X-Men, Buffy the Vampire Slayer) and David Messina (Star Trek: The Next Generation: Intelligence Gathering, Angel: Auld Lang Syne) tell the tale.
Batman #689- We don’t actually see Robin but Alfred and Dick talk about him. Also, Two-Face and Penguin continue their separate plans as we’re still leading up to the guy in the cape and cowl getting pounded.
Lockjaw and the Pet Avengers #4- The climactic battle with Thanos ends exactly the way you’d think, certainly the most logical conclusion—Lockjaw, Throg, and co. outsmart the Eternal from Titan. Good news here is that this Chris Eliopoulos (Uncanny X-Men, X-Force) and Ig Guara (New Avengers: American Armed Forces Exclusive) creation will apparently be back next year in a running series.
Red Robin #3- A lot of backstory and loose threads hanging around here. Tim thinks he’s found proof positive that Bruce is still alive. Only problem is, according to the objective scenes we’ve been shown and Tim’s subjective thoughts, Drake’s not thinking straight at all. And then there’s Ras al Ghul’s “help”.
Tales of Asgard #4- More god-sized action from the Golden Age of Marvel.
Titans #16- Starfire’s psychoanalysis and some backstory. Really good, depending on where it leads.
The Unwritten #4- Tommy and Lizzie find a map of stories while Pullman impersonates Candyman.
The Walking Dead #64- The Hunters find out why Dale was alone when they found him—and are none too pleased, especially with him laughing at them. It may not matter, really, but it’ll be a whole lot more fun if it does. I think things with Carl are building to a head, too.
Werewolves on the Moon: Versus Vampires #3- All mysteries solved in this final issue! Dave Land (The End League, Star Wars) and the Fillbach Brothers (Dawn: Return of the Goddess, The Goon) brought us a very funny, zany romp that ended as well as it began. Maggie’s father redeems himself and Gregg shows Till what happens when the worm turns.
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